Wilson's Tales of the Borders and of Scotland, Volume 21
General
Wilson's Tales of the Borders and of Scotland, Volume 21
Scottish Borders (Scotland) -- Fiction
And who that has enjoyed this one little hour of success would consider
the purchase as dearly made? Is it with bait that you are angling?--and
in the solitude of a mountain glen can you discover the stream of your
hope, stretching away like a blue pennant waving into the distance, and
escaping from view behind some projecting angle of the hill? Your
fishing-rod is tight and right, your line is in order, your hook
penetrates your finger to the barb; other companions than the plover,
the lark, and the water-wagtail you have none. This is no hour for
chirping grasshopper, or flaunting butterfly, or booming bee; the
overshaded and ruffled water receives your bait with a plump; and ere it
has travelled to the distance of six feet, it is nailed down to the
leeward of a stone. You pull recklessly and fearlessly, and flash after
flash, and flap after flap, comes there in upon your hull the spotted
and ponderous inmate of the flood! Or is it the fly with which you are
plying the river's fuller and more seaward flow? The wide extent of
streamy pool is before you, and beyond your reach. Fathom after fathom
goes reeling from your pirn, but still you are barely able to drop the
far fly into the distant curl. "Habet!" he has it; and proudly does he
bear himself in the plenitudes of strength, space, and freedom. Your
line cuts and carves the water into all manner of squares, triangles,
and parallelograms. Now he makes a few capers in the air, and shows you,
as an opera dancer would do, his proportions and agility: now again he
is sulky and restive, and gives you to understand that the _vis inertiæ_
is strong within him. But fate is in all his operations, and his last
convulsive effort makes the sand and the water commingle at the
landing-place.
The resort of the fisher is amidst the retirements of what, and what
alone, can be justly denominated undegraded nature. The furnace, and the
manufactory, and the bleaching-green, and the tall red smoke-vomiting
chimney are his utter aversion. The village, the clachan, the city, he
avoids: he flies from them as something intolerably hostile to his
hopes. He holds no voluntary intercourse with man, or with his petty and
insignificant achievements. "He lifts his eyes to the hills," and his
steps lie through the retired glen, and winding vale, and smiling
strath, up to the misty eminence and cairn-topped peak. He catches the
first beams of the sun, not through the dim and disfiguring smoke of a
city, but over the sparkling and diamonded mountain, above the unbroken
and undulating line of the distant horizon. His conversation is with
heaven, with the mist, and the cloud, and the sky; the great, the
unmeasured, the incomprehensible are around him; and all the agitation
and excitement to which his hopes and fears as a mere fisher subject
him, cannot completely withdraw his soul from that character of
sublimity by which the mountain solitude is so perceptibly impressed.
Public-domain text, read in full here on John Shaqi.
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