Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
It is always a pleasing occupation to follow out the associations of
human fancy which often invest persons and places with an interest, and
indeed a romantic charm, to which the cold-eyed historian or dryasdust
critic is entirely unresponsive, and if Winchester as it first appeared
to us, as we looked down from the brow of St. Giles’s Hill, seemed to
throb with the life and interest of a departed age, and of historical
personages long since passed away, so too we shall find that it
possesses associations of the purely literary type, not indeed fit to
challenge comparison with the glorious pageantry of its historic past
which we have attempted, all too inadequately, to present upon our
stage, but not unworthy to be chronicled and to be included in her
volume of romance and recollection. Her points of contact with
literature have been many, and yet it would be wrong to describe her as
a literary city. No poet of note, no great writer, has, in recent days
at all events, claimed her as parent; her acquaintance has been rather
with literary persons than with literature itself, for though she has
attracted many to make her in some form or other their theme, but little
of real weight in any but ancient literature has first seen the light
beneath her auspices. For all this she has, in literature as in life,
her story to tell, and that an ancient one.
The first literary associations of Winchester are, as is but natural,
historical ones, and the first mention of her in literature is found in
Bede, who records for us, among other scanty details, her name, ‘Venta,
quae a gente Saxonum Ventanceastir appellatur’; she next appears in a
full flood of glory, the seat of the learned and literary court of
Alfred, from which he gave the world the treasures of his literary
efforts--the _Consolations_ of Boëthius, Gregory’s _Pastoral Care_,
Orosius, and Bede’s _Ecclesiastical History_, all rendered into the
vernacular, and more important far than all of these, the great
thesaurus of early national history, the _English Chronicle_, the
history of which we have already related, and from which we have quoted
so constantly in our earlier chapters, to be followed by the equally
momentous Domesday Book--curious as it may seem to include this among
literary productions. Following from this we have a wide and almost
bewildering series of chroniclers, historians, and annalists, some of
whom, like William of Malmesbury, Henry Knighton, and Matthew Paris,
record details of her career incidentally as general items in the
history of the land, while others, like Precentor Wulfstan and the
annalists of Ealden Mynstre and Newan Mynstre, laboured at Winchester in
their respective scriptoria, producing not merely wonderful works like
the _Benedictional_ of St. Æthelwold and the _Golden Book_ of Edgar, but
local histories in goodly store, the Hyde _Liber Vitae_ and _Liber de
Hyda_, and the later monkish annals of Plantagenet days--Rudborne’s
Public-domain text, read in full here on John Shaqi.
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