Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
The prospect from the summit was almost unlimited. In the valley
beneath, the city they had just left, its more prominent buildings
showing as in an isometric drawing--among them the broad Cathedral
tower, with its Norman windows and immense length of aisle and
nave; the spires of St. Thomas’s; the pinnacled tower of the
College; and more to the right the tower and gables of the ancient
hospice, where to this day the pilgrim may receive his dole of
bread and ale....
Against these far stretches of country rose, in front of the other
city edifices, a large red brick building with level grey roof, and
rows of short barred windows speaking captivity, the whole
contrasting greatly by its formalism with the quaint irregularities
of the Gothic erections.... From the middle of the building an ugly
flat-topped octagonal tower ascended against the east horizon, and
viewed from this spot, on its shady side and against the light,
seemed the one blot on the city’s beauty. Yet it was with this blot
and not with the beauty that the two gazers were concerned. Upon
the cornice of the tower a tall staff was fixed. Their eyes were
riveted on it. A few minutes after the hour had struck, something
moved slowly up the staff and extended itself upon the breeze. It
was a black flag.[7]
Poor Tess! was it necessary for the author to mete out measure thus
cruelly upon the children of his imagination--was it kind to Winchester
to burden her memories with one so appallingly harrowing, so much in
contrast with her quiet peace?
And yet, after all, is it anything more than retributive justice? Have
not her citizens--those of a generation or so back, at least--been
responsible for permitting the one really commanding elevation and
landmark she possesses to be marred and dishonoured by this same ‘blot,’
these obtrusive prison-walls, capped by this self-same ‘ugly flat-topped
octagonal tower’? Is not rather the creator of _Tess_ displaying a fine
and just critical perception in thus exacting from them the full
literary penalty for so unpardonable an outrage on the outward
attractiveness of their own fair city?
Public-domain text, read in full here on John Shaqi.
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