It was on a feast-day that I came upon Hoorn, and the place was garbed
in gala attire. Throughout the morning the hotel stableboys were kept
busy tending the horses of rural arrivals, and every stable-yard was
congested with wagonettes and carts. Never have I seen such a variety
of vehicles. There was the painted produce wagon with its white
canvas cover; there was the gayly decorated antique “two-wheeler,”
its body swung upon heavy straps held fore and aft at the ends of
great protruding springs; there was the commodious, shapely cart of
plum-colored upholstery, belonging to the “gentleman farmer”; and there
was a host of others too numerous to describe in detail.
Hoorn’s main street had been roped off, and the bricks covered with a
thick layer of sand, in preparation for the series of horse races that
was soon to take place up and down its length. Along about noon the
Dutch David Harums led their horses down to the improvised race track
behind the village band in all its glory, and the festivities were on.
[Illustration: Hoorn on a feast-day. The main street has been roped off
and its brick paving covered with sand in preparation for a series of
horse races]
Running races were of necessity tabooed on account of the danger to
life and property--the actions of the horse being restricted to such
an extent by the limited fairway of the course that, in event of the
horse’s losing its head, even the side ropes along the street could
not restrain it from dashing through the crowd and into the window of
the nearest cheese shop. But there were sulky races between the Hal
Pointers and the Palo Altos of the district, driven with rope reins by
erstwhile jockeys, some of the costumes of whom were no less curious
than the harness of the horses. Breeches, in some cases, and blouses,
in others, looked as if they might have been recently redeemed from
many years of confinement in Amsterdam’s municipal pawnshop, their
public sale having been repeatedly overlooked.
Public-domain text, read in full here on John Shaqi.
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