Bildungsromans; Fathers and sons -- Fiction; Young men -- Fiction
The young man danced furiously, and Sam marched up and down and looked
at him and at the leering faces of the men and women lounging along
the deck or shouting at the dancer. The liquor in him beginning to take
effect, a queerly distorted version of his old passion for reproduction
came to him and he raised his hand for silence.
“I want to see a woman who is a mother,” he shouted. “I want to see a
woman who has borne children.”
A small woman with black hair and burning black eyes sprang from the
group gathered about the dancer.
“I have borne children--three of them,” she said, laughing up into his
face. “I can bear more of them.”
Sam looked at her stupidly and taking her by the arm led her to a chair
on the deck. The crowd laughed.
“Belle is after his roll,” whispered a short, fat man to his companion,
a tall woman with blue eyes.
As the steamer, with its load of men and women drinking and singing
songs, went up the river past bluffs covered with trees, the woman
beside Sam pointed to a row of tiny houses at the top of the bluffs.
“My children are there. They are getting supper now,” she said.
She began singing, laughing and waving a bottle to the others sitting
along the deck. A youth with heavy features stood upon a chair and sang
a song of the street, and, jumping to her feet, Sam’s companion kept
time with the bottle in her hand. Sam walked over to where the captain
stood looking up the river.
“Turn back,” he said, “I am tired of this crew.”
On the way back down the river the black-eyed woman again sat beside
Sam.
“We will go to my house,” she said quietly, “just you and me. I will
show you the kids.”
Darkness was gathering over the river as the boat turned, and in the
distance the lights of the city began blinking into view. The crowd had
grown quiet, sleeping in chairs along the deck or gathering in small
groups and talking in low tones. The black-haired woman began to tell
Sam her story.
She was, she said, the wife of a plumber who had left her.
“I drove him crazy,” she said, laughing quietly. “He wanted me to stay
at home with him and the kids night after night. He used to follow me
down town at night begging me to come home. When I wouldn’t come he
would go away with tears in his eyes. It made me furious. He wasn’t a
man. He would do anything I asked him to do. And then he ran away and
left the kids on my hands.”
In the city Sam, with the black-haired woman beside him, rode about in
an open carriage, forgetting the children and going from place to place,
eating and drinking. For an hour they sat in a box at the theatre, but
grew tired of the performance and climbed again into the carriage.
“We will go to my house. I want to have you alone,” said the woman.
They drove through street after street of workingmen’s houses, where
children ran laughing and playing under the lights, and two boys, their
bare legs flashing in the lights from the lamps overhead, ran after
them, holding to the back of the carriage.
Public-domain text, read in full here on John Shaqi.
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