Bildungsromans; Fathers and sons -- Fiction; Young men -- Fiction
In these women is no light, no vision. They have instead certain fixed
ideas to which they cling with a persistency touching heroism. To the
man they have snatched from society they cling also with a tenacity
to be measured only by their love of a roof over their heads and the
craving for food to put into their stomachs. Being mothers, they are the
despair of reformers, the shadow on the vision of dreamers and they put
the black dread upon the heart of the poet who cries, “The female of
the species is more deadly than the male.” At their worst they are to be
seen drunk with emotion amid the lurid horrors of a French Revolution
or immersed in the secret whispering, creeping terror of a religious
persecution. At their best they are mothers of half mankind. Wealth
coming to them, they throw themselves into garish display of it and
flash upon the sight of Newport or Palm Beach. In their native lair in
the close little houses, they sleep in the bed of the man who has put
clothes upon their backs and food into their mouths because that is the
usage of their kind and give him of their bodies grudgingly or willingly
as the laws of their physical needs direct. They do not love, they sell,
instead, their bodies in the market place and cry out that man shall
witness their virtue because they had had the joy of finding one buyer
instead of the many of the red sisterhood. A fierce animalism in them
makes them cling to the babe at their breast and in the days of its
softness and loveliness they close their eyes and try to catch again
an old fleeting dream of their girlhood, a something vague, shadowy, no
longer a part of them, brought with the babe out of the infinite. Having
passed beyond the land of dreams, they dwell in the land of emotions
and weep over the bodies of unknown dead or sit under the eloquence of
evangelists, shouting of heaven and of hell--the call to the one being
brother to the call of the other--crying upon the troubled air of hot
little churches, where hope is fighting in the jaws of vulgarity, “The
weight of my sins is heavy on my soul.” Along streets they go lifting
heavy eyes to peer into the lives of others and to get a morsel to roll
upon their heavy tongues. Having fallen upon a side light in the life
of a Mary Underwood they return to it again and again as a dog to its
offal. Something touching the lives of such as walk in the clean air,
dream dreams, and have the audacity to be beautiful beyond the beauty of
animal youth, maddens them, and they cry out, running from kitchen door
to kitchen door and tearing at the prize like a starved beast who has
found a carcass. Let but earnest women found a movement and crowd it
forward to the day when it smacks of success and gives promise of the
fine emotion of achievement, and they fall upon it with a cry, having
hysteria rather than reason as their guiding impulse. In them is all of
femininity--and none of it. For the most part they live and die unseen,
Public-domain text, read in full here on John Shaqi.
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