As I sally forth for an inspection of the city of Dijon the first glances show an entirely modern town of wide streets and rattling trams, while just below me the trains rush to and fro from Paris, but pass onward on to the left, and while you will not find a Bourges or Rouen, you will discover many quaint relics of another period. On the corner of the Rue du Secret and the square of the Duke of Burgundy is an ancient mansion with a turret at its angle and an image in the niche over its doorway. The whole is black with the passing ages and one wonders what the lives were which were lived out there in the old days of chivalry. It's a shop now and from the windows of the adjacent palace no faces look down. It might have housed some dainty mistress of the duke. In the little garden which separates it from the palace there is a fountain and under the trees the people sleep when they will and there, as the museum is not open just yet, I wait listening to the bells of Notre Dame and watching the progress of a love-making between a man and girl on the same bench. They pay no attention to me. The work in hand is too serious for any notice of a passing stranger. Poor fool! He is a bright-eyed, honest-looking lad and she is one of the streets in every sense of that word. They finally move away and I turn to enter the Hôtel de Ville where I find the ancient palace of its dukes, and where there is something of interest even now. The vast kitchen and its six great chimney-places, all unchanged is a curious spot. There the feasts for the "Wild Boar of Ardennes" were prepared, where whole oxen were cooked at once. Above it you may still see his Noble Hall with its richly carved stone work and great chimney with flamboyant traceries, and in its Museum, the gorgeous tombs of Philippe le Hardi and Jean-sans-peur will hold your attention by their beauty of carving and colour. Being in a museum, one can pardon their restoration which has been most successfully accomplished. I have never seen anything so exquisite as these carved draperies. [Illustration: THE TOMB OF JEAN SANS PEUR AT DIJON From a photograph] Passing outward, pause a moment before the Church of Notre Dame, and allow its curious clock, brought from Courtrai by Philippe le Hardi, to speak. If it is a quarter to the hour, it will be struck off by a child, if a half, by a "hammer woman," if the full hour, by a "hammer man," and all have been doing like service for the citizens of Dijon for six hundred years and more, and will do so for thousands long after you are dust and ashes. We would probably pull down the church and erect a skyscraper upon the premises, but these Burgundians love their ancient city, and so this old shrine will stand and yonder quaint figures continue to ring these people into life and through life and off into the realms of heaven, where I doubt not their souls will rest more in peace if sometimes the winds from earth waft to them the tones of their ancient bells.