"No angel, Jack, but a most exquisite, perfect flower of maidenhood.
When I first saw her, she stood just so, with her open palms full of
yellow jasmine. I laid my heart into them, too, my whole heart, my whole
life, and every joy and hope it contained."
"What were you doing in Texas?"
"What are you doing in New York? I was born in Texas. My family, an old
Spanish one, have been settled there since they helped to build San
Antonio in 1730. I grew up pretty much as Texan youths do--half my time
in the saddle, familiar with the worst side of life and the best side of
nature. I should have been a thorough Ishmaelite if I had not been an
artist; but the artistic instinct conquered the nomadic and in my
twentieth year I went to Rome to study.
"I can pass the next five years. I do not pretend to regret them,
though, perhaps, you would say I simply wasted time and opportunity. I
enjoyed them, and it seems to me I was the person most concerned in the
matter. I had a fresh, full capacity then for enjoyment of every kind. I
loved nature and I loved art. I warmed both hands at the glowing fire of
life. Time may do his worst. I have been happy, and I can throw those
five careless, jovial years, in his face to my last hour.
"But one must awake out of every pleasant dream, and one day I got a
letter urging my immediate return home. My father had got himself
involved in a lawsuit, and was failing rapidly in health. My younger
brother was away with a ranger company, and the affairs of the ranch
needed authoritative overlooking. I was never so fond of art as to be
indifferent to our family prosperity, and I lost no time in hurrying
West.
"Still, when I arrived at home, there was no one to welcome me! The
noble, gracious Garcia slept with his ancestors in the old Alamo Church;
somewhere on the llano my brother was ranging, still with his wild,
company; and the house, in spite of the family servants and Mexican
peons, was sufficiently lonely. Yet I was astonished, to find how easily
I went back to my old life, and spent whole days in the saddle
investigating the affairs of the Garcia ranch.
"I had been riding one day for ten hours, and was so fatigued that I
determined to spend the night with one of my herdsmen. He had a little
shelter under some fine pecan trees on the Guadalupe, and after a cup of
coffee and a meal of dried beef, I sauntered with my cigar down the
river bank. Then the cool, dusky shadows of the wood tempted me. I
entered it. It was an enchanted wood, for there stood Jessy Lorimer,
just as I had painted her.
"I did not move nor speak. I watched her, spell-bound. I had not even
the power, when she had mounted her pony and was coming toward me, to
assume another attitude. She saw that I had been watching her, and a
look, half reproachful and half angry, came for a moment into her face.
But she inclined her head to me as she passed, and then went off at a
rapid gallop before I could collect my senses.
Public-domain text, read in full here on John Shaqi.
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