Gavin said no more, but that night he wrote Jean Anderson the following
letter: "Dear Jean. I wish you would send me a picture of yourself. If
you will not write me a word, you might let me have your face to look
at. Mary is getting herself married, and I will be alone in a few days."
That is enough, he thought; "she will understand that there is a chance
for her yet, if she is as bonnie as in the old days. Mary is not to be
trusted. She never liked Jean. I'll see for myself."
Jean got this letter one warm day in spring, and she "understood" it as
clearly as Gavin intended her to. For a long time she sat thinking it
over, then she went to a drawer for a photo, taken just before her
mother's death. It showed her face without any favor, without even
justice, and the plain merino gown, which was then her best. And with
this picture she wrote--"Dear Gavin. The enclosed was taken five years
since, and there has been changes since."
She did not say what the changes were, but Gavin was sure they were
unfavorable. He gazed at the sad, thoughtful face, the poor plain dress,
and he was disappointed. A girl like that would do his house no honor;
he would not care to introduce her to his fellow clerks; they would not
envy him a bit. Annie Riley was far better looking, and far more
stylish. He decided in favor of Annie Riley.
Jean was not astonished when no answer came. She had anticipated her
failure to please her old lover; but she smiled a little sadly at _his_
failure. Then there came into her mind a suspicion of Mary, an
uncertainty, a lingering hope that some circumstance, not to be guessed
at from a distance, was to blame for Gavin's silence and utter want of
response. It was midsummer, she wanted a breath of the ocean; why should
she not go to New York and quietly see how things were for herself? The
idea took possession of her, and she carried it out.
Public-domain text, read in full here on John Shaqi.
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