My first genuine surprise was the morning after my arrival, which,
according to my reckoning, was Sunday; and when I heard the usual
week-day sounds, and, sallying forth, saw the usual weekday occupations
going on,--painters painting, glaziers glazing, masons on their
scaffolds, and heavy drays and market-wagons going through the streets,
and many shops and bazaars open,--I must have presented to a
scrutinizing beholder the air and manner of a man in a dream, so
absorbed was I in running over the events of the week to find where the
mistake had occurred, where I had failed to turn a leaf, or else had
turned over two leaves for one. But each day had a distinct record, and
every count resulted the same. It must be Sunday. Then it all dawned
upon me that this was Paris, and that the Parisians did not have the
reputation of being very strict Sabbatarians.
The French give a touch of art to whatever they do. Even the drivers
of drays and carts and trucks about the streets are not content with a
plain, matter-of-fact whip, as an English or American laborer would be,
but it must be a finely modeled stalk, with a long, tapering lash
tipped with the best silk snapper. Always the inevitable snapper. I
doubt if there is a whip in Paris without a snapper. Here is where the
fine art, the rhetoric of driving, comes in. This converts a vulgar,
prosy "gad" into a delicate instrument, to be wielded with pride and
skill, and never literally to be applied to the backs of the animals,
but to be launched to right and left into the air with a professional
flourish, and a sharp, ringing report. Crack! crack! crack! all day
long go these ten thousand whips, like the boys' Fourth of July
fusillade. It was invariably the first sound I heard when I opened my
eyes in the morning, and generally the last one at night. Occasionally
some belated drayman would come hurrying along just as I was going to
sleep, or some early bird before I was fully awake in the morning, and
let off in rapid succession, in front of my hotel, a volley from the
tip of his lash that would make the street echo again, and that might
well have been the envy of any ring-master that ever trod the tanbark.
Now and then, during my ramblings, I would suddenly hear some
master-whip, perhaps that of an old omnibus-driver, that would crack
like a rifle, and, as it passed along, all the lesser whips, all the
amateur snappers, would strike up with a jealous and envious emulation,
making every foot-passenger wink, and one (myself) at least almost to
shade his eyes from the imaginary missiles.
Public-domain text, read in full here on John Shaqi.
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