I had imagined that the next best thing to seeing England would be to
see Scotland; but, as this latter pleasure was denied me, certainly the
next best thing was seeing Scotland's greatest son. Carlyle has been so
constantly and perhaps justly represented as a stormy and wrathful
person, brewing bitter denunciation for America and Americans, that I
cannot forbear to mention the sweet and genial mood in which we found
him,--a gentle and affectionate grandfather, with his delicious Scotch
brogue and rich, melodious talk, overflowing with reminiscences of his
earlier life, of Scott and Goethe and Edinburgh, and other men and
places he had known. Learning that I was especially interested in
birds, he discoursed of the lark and the nightingale and the mavis,
framing his remarks about them in some episode of his personal
experience, and investing their songs with the double charm of his
description and his adventure.
"It is only geese who get plucked there," said my companion after we
had left,--a man who had known Carlyle intimately for many years;
"silly persons who have no veneration for the great man, and come to
convert him or to change his convictions upon subjects to which he has
devoted a lifetime of profound thought and meditation. With such
persons he has no patience."
Carlyle had just returned from Scotland, where he had spent the summer.
The Scotch hills and mountains, he said, had an ancient, mournful look,
as if the weight of immeasurable time had settled down upon them. Their
look was in Ossian,--his spirit reflected theirs; and as I gazed upon
the venerable man before me, and noted his homely and rugged yet
profound and melancholy expression, I knew that their look was upon him
also, and that a greater than Ossian had been nursed amid those lonely
hills. Few men in literature have felt the burden of the world, the
weight of the inexorable conscience, as has Carlyle, or drawn such
fresh inspiration from that source. However we may differ from him (and
almost in self-defense one must differ from a man of such intense and
overweening personality), it must yet be admitted that he habitually
speaks out of that primitive silence and solitude in which only the
heroic soul dwells. Certainly not in contemporary British literature is
there another writer whose bowstring has such a twang.
Public-domain text, read in full here on John Shaqi.
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