Winterslow: Essays and Characters Written ThereHazlitt, William
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Winterslow: Essays and Characters Written There
Hazlitt, William
English essays
He was a man of
large, capacious, powerful, and highly cultivated intellect. No man
could know more than he knew; no man's knowledge could be more sound,
more plain and useful; no man's knowledge could lie in more connected
and tangible masses; no man could be more perfectly master of his
ideas, could reason upon them more closely, or decide upon them more
impartially. His mind was full, even to overflowing. He was so
habitually conversant with the most intricate and comprehensive trains
of thought, or such was the natural vigour and exuberance of his mind,
that he seemed to recall them without any effort. His ideas quarrelled
for utterance. So far from ever being at a loss for them, he was
obliged rather to repress and rein them in, lest they should overwhelm
and confound, instead of informing the understandings of his hearers.
If to this we add the ardour and natural impetuosity of his mind, his
quick sensibility, his eagerness in the defence of truth, and his
impatience of everything that looked like trick or artifice or
affectation, we shall be able in some measure to account for the
character of his eloquence. His thoughts came crowding in too fast for
the slow and mechanical process of speech. What he saw in an instant,
he could only express imperfectly, word by word, and sentence after
sentence. He would, if he could, 'have bared his swelling heart,' and
laid open at once the rich treasures of knowledge with which his bosom
was fraught. It is no wonder that this difference between the rapidity
of his feelings, and the formal round-about method of communicating
them, should produce some disorder in his frame; that the throng of
his ideas should try to overleap the narrow boundaries which confined
them, and tumultuously break down their prison-doors, instead of
waiting to be let out one by one, and following patiently at due
intervals and with mock dignity, like poor dependents, in the train of
words; that he should express himself in hurried sentences, in
involuntary exclamations, by vehement gestures, by sudden starts and
bursts of passion. Everything showed the agitation of his mind. His
tongue faltered, his voice became almost suffocated, and his face was
bathed in tears. He was lost in the magnitude of his subject. He
reeled and staggered under the load of feeling which oppressed him. He
rolled like the sea beaten by a tempest. Whoever, having the feelings
of a man, compared him at these times with his boasted rival--his
stiff, straight, upright figure, his gradual contortions, turning
round as if moved by a pivot, his solemn pauses, his deep tones,
'whose sound reverbed their own hollowness,' must have said, This is a
man; that is an automaton. If Fox had needed grace, he would have had
it; but it was not the character of his mind, nor would it have suited
with the style of his eloquence. It was Pitt's object to smooth over
the abruptness and intricacies of his argument by the gracefulness of
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