Winterslow: Essays and Characters Written ThereHazlitt, William
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Winterslow: Essays and Characters Written There
Hazlitt, William
English essays
no pleasure in the exercise of their art as such: it is all to
astonish or to get money that they follow it; or if they are thrown
out of it, they regret it only as a bankrupt does a business which was
a livelihood to him. Barry did not live, like Titian, in the taste of
colours; they were not a _pabulum_ to his sense; he did not hold
green, blue, red, and yellow as the precious darlings of his eye.
They did not therefore sink into his mind, or nourish and enrich it
with the sense of beauty, though he knew enough of them to furnish
hints and topics of discourse. If he had had the most beautiful object
in nature before him in his painting-room in the Adelphi, he would
have neglected it, after a moment's burst of admiration, to talk of
his last composition, or to scrawl some new and vast design. Art was
nothing to him, or if anything, merely a stalking-horse to his
ambition and display of intellectual power in general; and therefore
he neglected it to daub huge allegories, or cabal with the Academy,
where the violence of his will or the extent of his views found ample
scope. As a painter he was valuable merely as a draughtsman, in that
part of the art which may be reduced to lines and precepts, or
positive measurement. There is neither colour, nor expression, nor
delicacy, nor beauty, in his works.
1827.
ESSAY IX
MATTER AND MANNER
Nothing can frequently be more striking than the difference of style
or manner, where the _matter_ remains the same, as in paraphrases and
translations. The most remarkable example which occurs to us is in the
beginning of the _Flower and Leaf_, by Chaucer, and in the
modernisation of the same passage by Dryden. We shall give an extract
from both, that the reader may judge for himself. The original runs
thus:
'And I that all this pleasaunt sight _ay_ sie,
Thought sodainly I felt_e_ so sweet an aire
_Con_ of the eglentere, that certainely
There is no heart, I deme, in such dispaire,
Ne with _no_ thought_e_s froward and contraire
So overlaid, but it should_e_ soone have bote,
If it had ones felt this savour sote.
And as I stood and cast aside mine eie,
I was of ware the fairest medler tree,
That ever yet in all my life I sie,
As full of blossomes as it might_e_ be;
Therein a goldfinch leaping pretil_e_
Fro bough to bough; and, as him list, _gan_ eete
Of bud_de_s here and there and floures sweet_e_.
And to the herber side _ther_ was joyning_e_
This faire tree, of which I have you told;
And at the last the brid began to sing_e_,
When he had eaten what he eat_e_ wold_e_,
So passing sweetly, that by manifold_e_,
It was more pleasaunt than I coud_e_ devise.
And when his song was ended in this wise,
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