"Why," said Timur, "that is about the price of the
sheet I have on." "Well, of course, I meant the sheet." When the
business of kingship becomes decayed, the office of fool is obsolete.
Feste bandies words with Viola, and makes her submit to delicate
insolences: her distinguished air cannot abate him. He pretends to wish
to be convinced by Malvolio that the latter is sane, but concludes that
he will never believe a madman till he can see his brains. Feste keeps
his own head on a level keel as the sparkling ripples of his drolleries
go by. Shakspeare's intention is conspicuous in him to make all the
clowns the critics of all the other personages, and kept in the pay of
their creator.
When the play is over, the Duke plighted to his page, Olivia rightly
married to the wrong man, and the whole romantic ravel of sentiment
begins to be attached to the serious conditions of life, Feste is left
alone upon the stage. Then he sings a song which conveys to us his
feeling of the world's impartiality: all things proceed according to
law; nobody is humored; people must abide the consequences of their
actions, "for the rain it raineth every day." A "little tiny boy"
may have his toy; but a man must guard against knavery and thieving:
marriage itself cannot be sweetened by swaggering; whoso drinks with
"toss-pots" will get a "drunken head:" it is a very old world, and
began so long ago that no change in its habits can be looked for. The
grave insinuation of this song is touched with the vague, soft bloom of
the play. As the noises of the land come over sea well-tempered to the
ears of islanders, so the world's fierce, implacable roar reaches us in
the song, sifted through an air that hangs full of the Duke's dreams,
of Viola's pensive love, of the hours which music flattered. The note
is hardly more presageful than the cricket's stir in the late silence
of a summer. How gracious has Shakspeare been to mankind in this play!
He could not do otherwise than leave Feste all alone to pronounce its
benediction; for his heart was a nest of songs whence they rose to
whistle with the air of wisdom. Alas for the poor fool in "Lear" who
sang to drown the cries from a violated nest!
THE FOOL IN "KING LEAR."
Public-domain text, read in full here on John Shaqi.
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