"No, be assured, you shall not find me, daughter,
After the slander of most step-mothers,
Evil-ey'd unto you."
Then she grants the married pair a stolen interview, in order that she
may whip out and bring the King in to discover them. She knows the King
will be displeased; but she calculates that after his first anger is
cooled he will load her with favors to atone for his impetuosity:--
"I never do him wrong,
But he does buy my injuries to be friends;
Pays dear for my offences."
What a capable woman, with this new patent for depleting a husband's
pocket by wringing his heart! What an extraordinary endowment of a
husband's heart to connect its spasms with the purse-clasp!
Imogen feels the manœuvre of the Queen when she leaves to hurry up the
King; and she says to Posthumus,--
"O dissembling courtesy! How fine this tyrant
Can tickle where she wounds!"
Why, then, if Shakspeare endowed her with this penetration, does she
not at a glance unmask Iachimo when he comes pretending that Posthumus
has been false to her in exile, and proffering himself that she may
take revenge in kind? Because she has such a heart of trust in her
husband that both her ears cannot hastily abuse it. The conflict
between Iachimo's counterfeit news and her loyal memory occupies the
whole field of her being, and keeps out the base design. She listens to
Iachimo with ears attuned by the high praises which her husband sends
by letter to introduce a friend "of the noblest note." Iachimo is the
creature of her husband's admiration, sent to be admired, suspicion
disarmed in advance, not a sentry left on duty before her frankness.
His hints of a dishonorable purpose cannot be taken by a mind that is
unable to conceive dishonor. So her absolute spotlessness drives him to
the plainest speech; for such an artless and unconscious woman never
tasked his lips before. When the revelation comes, like a hideous
scrawl of flame across her clear firmament in the very high noon of her
confiding, the heaven of purity rains down at once, and there he is,
swimming for life in the flood of her disdain. Then he saw womanhood in
one "awe-inspiring gaze" that might have prompted Shelley to exclaim,--
"Her beams anatomize me, nerve by nerve,
And lay me bare, and make me blush to see
My hidden thoughts."
What an angelic impossibility of hearing is Imogen's! She has nothing
that ever dreamed to itself of the covert meaning of his words. Without
a second's interval of parley, not even time enough for natural
astonishment, one peremptory instant annihilates his hope.
Public-domain text, read in full here on John Shaqi.
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