queenly gait, the sinuous arms that would embrace when words were
done, as Hermione descends slowly from the pedestal; the impromptu
charm of Miranda's modesty when she would not wish any companion in
the world but Ferdinand; the reverie of Desdemona, as she unpinned her
dress to the tune of "Willow, willow, willow," and started at the
wind, thinking it was Othello's knock, expectant but bodeful,--all the
generic traits which differentiate Shakspeare's women from all the
other women of literature, according as women themselves naturally
furnish those traits, could never have been personated by any man.
How fortunate it is for a grateful posterity that it has been
enabled to repay to Shakspeare a portion of its heavy debt to him,
by committing his female characters to women of various talents and
temperaments, some of whom are the brightest offspring of their age!
Could he have foreseen, when the women of his fancy were consigned to
the beardless tenors of London, that the true woman would eventually
route these wretched eunuchs, claim the scene, appropriate her own
verse, and infuse the whole unsuspected genius of her sex into his
conceptions, to give them new births in the travailing of her bright
endowments? That was a perfect forecast of the imagination which, with
only youths for actors, whose chief advantage was the callowness upon
the cheek, could have written the parts which have laid an attachment
upon the finest women of the last two hundred years, and taxed all
their passion, wile, and infinite variety. He must have written in a
divining sense that Nature, piqued by the revelations of her deepest
mystery, would have to summon at length its representatives to mediate,
and, taking these things of heaven, show them unto men.
Public-domain text, read in full here on John Shaqi.
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