But this heart of woman, so liable to hurried action, is the centre
of her bravest and least calculated gestures. Her profession is that
of heroine. Wherever it be natural to recoil, she flouts Nature and
declines the job of shrinking. Portia and Helena might be two sisters
of the healing art, gratefully welcomed by their own sex's modesty,
but self-possessed and prompt wherever suffering tears down the pales
of convention; sisters of mercy, hunting after wounds in the rear of
battle, dressing maimed soldiers down the sighing wards of hospitals,
appalled at no hurt the most hideous, repelled by no festering squalor;
the mates of man in courage and dexterity. Let a university be founded
for their training.
What shall a Portia undertake to do? That which is level to Portia's
capacity. _Must_ she do it? That is as she herself may decide. But we
let our women do the dirty drudgery of kitchens, expose themselves to
the publicity of saloons, grow sallow and stooping over spindles, and
spend all day dodging poverty behind a counter. We pay our money to see
them exercise their various talents on the stage, where no exigency
of the plot surprises us, no shifts of costume seem inappropriate, no
want of it amazing. Oh, we gentlemen are such sticklers for propriety,
so interested to keep our women well sequestered! She must not speak
in public, but she may sing: Jenny Lind's open mouth does not look
indecent, but Lucretia Mott's is an outrage of our modesty! Where will
you draw a line through the crowd of competent intelligences? I would
draw it very quickly by putting cleverness in the place of dulness,
though many a preacher and schoolmaster, many a vapid lecturer, would
have to budge. Why should inferiority in a swallow-tail be so valued
and protected against superiority in skirts? Napoleon said, "Careers
are open to talents;" but he dreaded lively and gifted women, and got
them out of the country, wisely suspecting that their insight would
fathom his weakness. But no country can flourish till the talents and
morals of women mix with its affairs. I cannot see why dulness is more
respectable in a man than in a woman. Does it hurt our feelings more
to see a woman fail in any public attitude than to see a man do it?
No doubt it does; for we cannot entirely disenchant those youthful
reveries in which woman, though so close to us, seemed to hover upon an
unapproachable horizon, a shape that commanded loyalty from our sense
of harmony and proportion,--nothing in excess, nothing in defect; an
embodiment of a perfect tone's vibration that thrilled in our ideal of
life and promised it a future. We could not tolerate any discrepancy
with the allurement of this mystery. Our own sexual distinction
enhanced it to the pitch of astonishment and reverence. We could not
bear to see her clothed and adorned in a way to jar the taste which
she first woke in us. We cannot bear it now. No pretext of convenience
Public-domain text, read in full here on John Shaqi.
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