Looking across the intervale of our prosaic concerns, we descry the outlines of Hamlet, as they build on the horizon a symmetry, enticing depth, weird masses, and a lonely top. We try to recognize the distinctions of this grand object which has been lifted there for ever to attract the curiosity of men. It is too remote to be minutely pictured: the shadows that apprise us of its deep seclusion veil the openings of paths by which it is to be explored. Stretches of a livelier color report to us the verdure and perfume of youth: the clouds that fling their pensive intervals upon it pass off pursued by gladness. But we perceive whole tracts that slope inwardly to sombreness where the fancy is interrupted by awe and vague surmise. Whither will those rifts lead us? Into what places visited by nothing human, whence we hurriedly return, looking back with a sense of some invisible pursuit, as if the forest shuddered with an adjuration which overtook, beneath the ground, our feet? What various latitudes are repeated along that height, with a zone for every season! It is shaped by all the weathers of the year: it groups within itself the smiles, the terrors, the fitful moods of Nature, and puts them into a distance of sublime effect. While we are observing it, there grows thither, as if deposited out of the day, a softening tint; one hardly knows if it be light, or color, or a vapor, or how it be compounded of them all. But it envelops the whole outline, and spills over into every opening, a gracious refinement, an investiture not easily described, a light touch of gentle qualities which decline to be quoted in the dry list of the appraiser. It is the tender lady, the maiden with the delicate bloom of love and the remoteness of it,--the impalpable Ophelia. To detain and handle is impossible, not because, like some rare sphinx-moth, the downy wings flutter into hiding; for she is motionless as a stain of color, restful as a summer afternoon when all the noises sleep: she is a sentiment that broods without a stir upon the lofty Hamlet; she gives no sound to challenge your attention, and is unable to goad her exquisite reserve into any marked behavior. But this shyness is broad enough to cover Hamlet's variety all over, and does not let one of his features straggle beyond its subduing purple. She is the tone of the whole wide landscape that stretches between your soul and his. What need has she to multiply words, to intensify her shape upon the background of the action? Small need has she to borrow the saucy wit of Beatrice, to make up her lips with the pertness of Rosalind, or compress them with the firmness of Helena. They just suit the touch of Hamlet's lips when his unbend from gathering the speech of solemn thoughts. She offers them, and his cloud empties of its density. She draws off the accumulated sparks of reason, makes him safe and domestic, steals into him with content that even he cannot measure, up