Charlotte Corday's hair "seemed black when fastened in a large mass
around her head: it seemed gold-colored at the points of the tresses,
like the ear of corn,--deeper and more lustrous than the wheat-stalk in
the sunlight." Her variable eyes were "blue when she reflected, almost
black when called into animated play." Her skin had the wholesome and
marbled whiteness of perfect health.
Rebecca Sharp had "a knack of adopting a demure _ingénue_ air, under
which she was most dangerous. She said the wickedest things with the
most simple, unaffected air when in this mood, and would take care
artlessly to apologize for her blunders, so that all the world should
know that she had made them."
Ninon de l'Enclos, and Madame de Chevreuse, the famous conspirator who
baffled two cardinals with an admirable mixture of pluck and cunning,
were pure blondes. Such women court their objects and pursue their
schemes in a manifold and sprightly fashion: their magnetic power flits
to and fro, many-colored, subtle, silent, swift as an aurora. They have
complicated the policy of courts and sown dissension in cabinets. They
misrepresent a statesman's secrets, set one clique against another,
stir about in society till it becomes one stupendous snarl; and perhaps
you cannot point to a spot upon their reputation. They give slander
itself no opportunity to lie as they can do, while they immaculately
defy truth to brand as counterfeit the phrases of their charming
insincerity. Look at the smooth brow that sheds your scrutiny: there's
not a crease nor wrinkle on it where suspicion may lodge to fester. The
eyes embrace you with the frankness of Joab, who took Abner aside to
speak with him, quietly, asking, "Art thou in health, my brother?" and
smote him there under the fifth rib, and left him far from well.
Among blonde women we can easily observe two kinds, which may be
called, for brevity, the lunar and the solar. The one kind seems as
if blanched by sunlight that has been reflected: it wilts from defect
rather than excess of warming power. The passions are low-toned, like
the body: a sort of scrofulous habit seems indicated by a too delicate
and thin complexion; it lurks in the lifeless yellow or chestnut
of the hair, in the unsound teeth and the languid speech. There is
little valor for mischief in them, as there is little ambition for
achievement. Their virtue seems only a temper that is kept faint as if
by constant exudation of the blood.
Public-domain text, read in full here on John Shaqi.
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