So, not long after, a cry of women struggles through the castle, and
bids Macbeth's desperate engrossment know that the "brief candle" of
her night-walking sorrow has gone out. He has no time to permit his
queen to die, but she has slipped from his arms. Alas! another shape
of Nature's womanhood by Nature destroyed. Malcolm may suspect that
she destroyed herself, but Shakspeare furnished no pretext for that
palace rumor. And it so disconcerts the pathos which he intended should
accumulate around the temper of her crime that many commentators
suspect the scene, upon this and other considerations, of having been
tampered with. Malcolm may call her "fiend-like," if he will. 'Tis
pardonably honest English from a son who slept one night so near to a
murdered father. What was to Malcolm a righteous phrasing of the deed
does not cover Shakspeare's implication of the mood which led to it.
The great poet delivers to us a sprig of rosemary, for remembrance of
Nature in a woman, but enjoins us to tie it up with rue.
FOOTNOTES:
[Footnote 21: Brought from Italy by Mr. Jarves, and now in the
possession of J.W. Bigelow, Esq., New York.]
[Footnote 22: Report of M.D. Conway's striking lecture upon the History
of the Devil.]
Cambridge: Press of John Wilson & Son.
Public-domain text, read in full here on John Shaqi.
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