After Hamlet's interviews with the ghost, the "antic disposition" which
tints his behavior is ironical; his remarks keenly cut down to where
our laugh lies, but scarcely let its blood. The mood does not throw
open the great valves of the heart as the sun-burst of Humor does. We
enjoy seeing with what superior insight he baffles all the spies who
cannot play upon a pipe, yet expect to play upon him. This gives to the
scene the flavor of comedy. In the churchyard we taste the subacid of
cynicism, so that Yorick's skull is quite emptied of its humor, and is
only an ill-savored text to a chop-fallen discourse upon mortality.
But Hamlet radiates a gleam of geniality at a moment when you are least
expecting it, as events transpire which ought to kill, you would think,
the very heart of such a feeling: it is, indeed, expiring,--caught as
it falls in the arms of the coming Irony. Let us enter, with Horatio
and Marcellus, the scene upon the platform after Hamlet's dread
interview with a murdered father. No wonder that his wonted evenness of
manner is shaken; and we hear him writing truisms in his tablet, in a
flighty style, as, for instance, that a man may smile and be a villain.
But let us also make a note of that, as he did: it will interpret to
us the tone of his subsequent demeanor which everybody thought was
madness. In the mean time we are upon this spectre-haunted platform,
seeking with his friends to discover what news the ghost brought.
Hamlet trifles with them to put off their curiosity; but the scene soon
rises to the solemnity of taking an oath, and one that is extorted
by the experience of a vision which comes to so few that mankind has
only heard of such things. But just as the human voices are about to
pledge themselves to a secrecy which they must feel all their lives,
and shudder in feeling, to be reflected upon them from the glare and
publicity of purgatorial fires, a voice comes, building this terrific
chord of a nether world up to their purpose, that it may unalterably
stand. "Swear!" The deep craves it of them; it has joined the company
uninvited, but they feel convinced that it is a comrade fated to go
with them to their graves. "Swear!" it reiterates: no change of place
can remove them from this importunity. The centre of an unatoned murder
is beneath every spot to which they shift their feet.
Now the two friends of Hamlet possess nerves which have been hitherto
tuned only by the vibrations of the sunshine or of the moon's unhaunted
silver. Even if they had known of the murder, their interest in
it would not have been personal enough to lend fortitude to help
them tolerate this unseen visitor, the murdered man himself! What
an encounter! Whose wits of earthly stoutness can sustain it? They
feel, and so do we, that the awe is accumulating into a wave that may
o'ertopple every sense.
Public-domain text, read in full here on John Shaqi.
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