If we return to a period in the play which follows closely upon the
scene of the taking of the oath, Ophelia herself will discover for us
the turning mood in Hamlet's character. The time and action of the
piece allow us to suppose that he soon went from the oath-taking to
visit Ophelia. Naturally, he turned from that bloodless and freezing
visitation to see life heaving in a dear bosom and reddening in lips
which he had love's liberty to touch. The disclosures of the ghost had
worked upon him like a turbid freshet which comes down from the hills
to choke the running of sweet streams, deface with stains of mud all
natural beauties, and bury with the washings of sunless defiles the
meadows spangled with forget-me-nots. His love for Ophelia was the
most mastering impulse of his life: it stretched like a broad, rich
domain, down to which he came from the shadowy places of his private
thought to fling himself in the unchecked sunshine, and revel in the
limpid bath of feeling. How often, in hours which only over-curious
brooding upon the problems of life had hitherto disquieted, had he gone
to let her smile strip off the shadow of his thought, and expose him to
untroubled nature! The moisture of her eyes refreshed his questioning;
her phrases answered it beyond philosophy; a maidenly submission of her
hand renewed his confidence; an unspoken sympathy of her reserve, that
flowed into the slight hints and permissions of her body, nominated him
as lover and disfranchised him as thinker; and a sun-shower seemed to
pelt through him to drift his vapors off. But this open gladness has
disappeared underneath the avalanche of murder which a ghostly hand
had loosened. He ventures down to the place where he remembers that it
used to expect him; but we know that it has disappeared. His air and
behavior announce it to us. The catastrophe seems to have swept even
over his person, to dishevel the apparel upon that "mould of form."
In this ruin of his life Ophelia is the first one buried; for she was
always more resident in his soul than maintained within a palace, and
his soul is no longer habitable.
Polonius has just been giving those scandalous instructions to his pimp
to waylay the Danes in Paris, and, by insinuations of ill-conduct in
Laertes, worm out of them possible admissions of its truth. He wants
to know how his son is spending money in the gay capital, how many
times he gamed, was overtaken in drink, or visited "a house of sale."
The pimp is to draw on his fellow-countrymen by pretending that Laertes
is given to all these things: he knows the man; 'tis the common talk
about him at home; you cannot surprise him by any thing you say. Says
the old manœuvrer:
"See you now;
Your bait of falsehood takes this carp of truth:
And thus do we of wisdom and of reach,
With windlasses, and with assays of bias,
By indirections find directions out."
Public-domain text, read in full here on John Shaqi.
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