Witchcraft -- England; Witchcraft -- Great Britain; Witchcraft -- Scotland
John now followed suit. He confessed to his own baptism; to the hoggers on
the black man's legs, who had no shoes, and spoke in a voice hollow and
ghousty; to the making the clay image; and to his new name of Jonas. On
the 15th of February, 1677, John Stewart, Annabel Stewart, and Margaret
Jackson all adhered to these depositions, but Jennet and Bessie and
Margerie denied them. Jennet's feet were fixed in stocks, so that she
might not do violence to her own life: and one day her gaoler declared
that he had found her bolster, which the night before was laid at least
six yards from the stocks, now placed beneath her; the stocks being so
heavy that two of the strongest men in the country could hardly have
carried them six yards. He asked her "how she had win to the bolster," and
she answered that she had crept along the floor of the room, dragging the
stocks with her. Before the court she said that she had got one foot out
of the hole, and had drawn the stocks with her, "a thing altogether
impossible." Then John and Annabel exhorted their mother to confess,
reminding her of all the meetings which she had had with the devil in her
own house, and that "a summer's day would not be sufficient to relate what
passages had been between the devil and her." But Jennet Mathie was a
stern, brave, high-hearted Scotch woman, and would not seal her sorrow
with a lie. "Nothing could prevail with her obdured and hardened heart,"
so she and all, save young Annabel, were burnt; and when she was bound to
the stake, the spectators saw after a while a black, pitchy ball foam out
of her mouth, which, after the fire was kindled, grew to the size of a
walnut, and flew out into sparks like squibs. This was the devil leaving
her. As for Bessie Weir, or Sopha, the devil left her when she was
executed, in the form of a raven; for so he owned and dishonoured his
chosen ones.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account