Hutchinson, Upham, and Drake each sought to make it apparent that mundane roguishness, trickery, and malice, operating amid public credulity and infatuation, prompted and enabled frail girls and women to produce the "amazing feats," marvelous convulsions, and all the many other woeful outworkings of witchcraft. Having been either unobservant of, or having ignored, the plain historic fact seen over and over again in Tituba's testimony, that certain other intelligences than girls, that minds which were freed more or less fully and permanently from the hamperings of flesh, actually started the first display of witchcraft pinchings, fits, and convulsions at Salem Village, those historians wrongfully charged girls and women, whose bodies were then the subjects and tools of other intelligences, with being the feigners of maladies and the producers of acts which an eye-witness and reluctant participator distinctly declares were manifested in obedience to a will or wills not their own. Such oversight, or such discarding of facts, whichever it may have been, caused those writers to so restrict their stores of intelligent agents having more or less access to and power over man, as to put outside of their own reach and vision the actual producers of witchcraft phenomena. This self-imposed or self-retained restriction forced upon them necessity for efforts to show that mere children possessed gigantic physical and mental powers and brains which concocted and executed schemes that shook to their very foundations the strong fabrics of church and state--yes, forced them to ascribe mighty public agitations to insignificant operators. Tituba, on the other hand, by a simple statement of what her own interior self saw, heard, felt, and did,--by a statement of what she actually _knew_,--designated the genuine and the obviously competent authors of witchcraft marvels, and explained their advent rationally. She, therefore, by far--very far--outranks each and all of those historians as a competent and authoritative expounder of the authorship, origin, and nature of Salem Witchcraft. Her "something like a man"--her _tall white-haired man in serge coat_--was its author. That man was a spirit, and his works were Spiritualism of some quality. Opposition revealed his possession of mighty force. And, whatever his motive, the result of his scheme was the death of witchcraft throughout Christendom, and consequent wide emancipation from mental slavery.