Witchcraft of New England Explained by Modern SpiritualismPutnam, Allen
Religion
Witchcraft of New England Explained by Modern Spiritualism
Putnam, Allen
Spiritualism; Witchcraft -- New England
Faith in the genuineness of witchcraft facts, though in Dorcas Good's day
it hid a multitude of sins, failed to make the arresting of a mere infant
witch a desirable operation. For some reason the officious marshal,
Herrick, sent forth constable Braybrook to encounter and capture man's
great enemy when that wily one had ensconced himself in an infant's form.
But the deputy scavengered up and sub-deputized somebody else to fight
that battle for God and Christ. His menial went the needful two or three
miles north through the woods to Benjamin Putnam's house, and executed the
daring feat of bringing on his back, or in some other way, a "hale and
well-looking" girl of less than five years into court, a culprit because
of co-laboring with and being a covenanted servant of witchcraft's devil!
The darkness of delusion which such an arrest failed to illumine must have
been thick indeed! But the creed of the day, devil-ward, the creed of the
fathers, the creed of Christendom, so deluded the public judgment that it
demanded the blood of a witch even though she were an infant.
The condition of the public mind only a very short time subsequent to the
irrational, unkindly, barbarous arrest of that child has been depicted by
Upham, vol. ii. p. 112, in sentences more graphic, spirited, and eloquent
than our own powers could possibly put forth, and differing considerably
from what we would essay to give were our rhetorical abilities equal to
his. He states that--
"The proceedings of the 11th and 12th of April produced a great effect in
driving on the general infatuation.... 'Twas awful to see how the
afflicted persons were agitated.... Those girls, by long practice in 'the
circle,' and day by day before the astonished and wondering neighbors
gathered to witness their distresses, and especially on the more public
occasions of the examinations, had acquired consummate boldness and tact.
In simulations of passions, sufferings, and physical affections; in
sleight of hand, and the management of voice and feature and attitude, no
necromancers have surpassed them. There has seldom been better acting in a
theater than they displayed in the presence of the astonished and
horror-stricken rulers, magistrates, ministers, judges, jurors,
spectators, and prisoners. No one seems to have dreamed that their actings
and sufferings could have been the result of cunning or imposture. Deodat
Lawson was a man of talents, had seen much of the world, and was by no
means a simpleton, recluse, or novice; but he was totally deluded by them.
The prisoners, although conscious of their own innocence, were utterly
confounded by the acting of the girls. The austere principles of that
generation forbade with the utmost severity all theatrical shows and
performances; but at Salem village and the old town, in the respective
meeting-houses, and at Deacon Nathaniel Ingersoll's, some of the best
playing ever got up in this country was practiced, and patronized for
Public-domain text, read in full here on John Shaqi.
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