With British Guns in Italy: A Tribute to Italian AchievementDalton, Hugh Dalton, Baron
History
With British Guns in Italy: A Tribute to Italian Achievement
Dalton, Hugh Dalton, Baron
World War, 1914-1918 -- Italy
Pordenone was ours. It had fallen in the early hours of this morning,
but the departing Austrians had burnt and wrecked it. The streets were
full of the debris and furniture which they had thrown out of the houses
and shops in the last mad search for loot. We pushed on, and came up
with British Infantry advancing, and the transport wagons and the
steaming field cookers of two Battalions, and some cyclist companies of
Bersaglieri. But the transport was at a standstill and the dismounted
men only going forward slowly. We soon discovered the cause. The wooden
bridge over the Meduna river was on fire, pouring forth clouds of smoke.
The Austrians had been here only four hours before and had blown up two
spans as they retreated and soaked the rest with paraffin and set it
alight. The bridge was effectually destroyed. Italian Cavalry, we heard,
had gone through the water in pursuit, and likewise some British
Infantry patrols, swimming and wading and making use of various
ingenious, improvised devices. But the Austrian had a good three hours
start, and was running fast and travelling light, it was thought.
But we, being unable to get our car across, turned northward along the
river bank and drove furiously and, after a mile or two, outran the
foremost Infantry patrols (I think, of the Royal Warwicks), who were
pushing cautiously forward, searching the woods and farmhouses for
lurking rearguards. And so it was that, first of all the Allied troops,
we four entered the little village of Nogaredo. And, as we came in, we
sang, very loudly and perhaps somewhat out of tune, the chorus of _La
Campana di San Giusto_, the forbidden song which to the Italian
Irredentists stands for somewhat the same officially repressed but
inextinguishable emotions, as that once forbidden song _The Wearing of
the Green_ stood for to the Nationalist Irishmen of a now vanished
generation.
"Le ragazze di Trieste
Cantan tutte con ardore,
'O Italia, O Italia del mio core,
Tu ci vieni a liberar!'"[1]
[Footnote 1: All the maidens of Trieste sing with passion, "O Italy, O
Italy of my heart, thou comest to set us free!"]
So to that village _we_ were the visible liberators. All the villagers
came running towards us, crowding around our car, weeping and cheering,
pouring out their stories, touching and holding and kissing us. It is
seldom that things happen with such dramatic perfection.
Public-domain text, read in full here on John Shaqi.
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