Africa, West -- Fiction; London (England) -- Fiction
All these Millicent read with little interest, and answered in that
conveniently large calligraphy which made three lines look like a
note, and magnified a note into a four-page letter. The dressmakers'
circulars--the tradesmen's illustrated catalogues of things she could
not possibly want, and the jewellers' delicate photographs interested
her a thousand times more. But even these did not satisfy her. All these
people were glad--most of them were delighted. Millicent wanted to hear
from those who were not delighted, not even pleased, but in despair. She
wanted to hear more of the broken hearts. But somehow the broken hearts
were silent. Could it be that they did not care? Could it be that
THEY were only flirting? She dismissed these silly questions with the
promptness which they deserved. It was useless to think of it in that
way--more useless, perhaps, than she suspected; for she was not deep
enough, nor observant enough, to know that the broken hearts in question
had been much more influenced by the suspicion that she cared for
them than by the thought that they cared for her. She did not know
the lamentable, vulgar fact that any woman can be a flirt if she only
degrade her womanhood to flattery. Men do not want to love so much as to
be loved. Such is, moreover, their sublime vanity that they are ready to
believe any one who tells them, however subtly--mesdames, you cannot be
too subtle for a man's vanity to find your meaning--that they are not as
other men.
To the commonplace observer it would, therefore, appear (erroneously,
no doubt) that the broken hearts having been practically assured that
Millicent Chyne did not care for them, promptly made the discovery that
the lack of feeling was reciprocal. But Millicent did not, of course,
adopt this theory. She knew better. She only wondered why several young
men did not communicate, and she was slightly uneasy lest in their anger
they should do or say something indiscreet.
There was no reason why the young people should wait. And when there is
no reason why the young people should wait, there is every reason why
they should not do so. Thus it came about that in a week or so Millicent
was engaged in the happiest pursuit of her life. She was buying clothes
without a thought of money. The full joy of the trousseau was hers. The
wives of her guardians having been morally bought, dirt cheap, at
the price of an anticipatory invitation to the wedding, those elderly
gentlemen were with little difficulty won over to a pretty little
femininely vague scheme of withdrawing just a little of the
capital--said capital to be spent in the purchase of a really GOOD
trousseau, you know. The word “good” emanating from such a source must,
of course, be read as “novel,” which in some circles means the same
thing.
Public-domain text, read in full here on John Shaqi.
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