This studied efficiency in the business of slaying is indeed the
dominant impression left on the mind by a view of one of these
batteries in action. The officers, always neat and trim, are nonchalant
and laconic as they snap out in monosyllables the orders that carry
with them winged death; the men serving the gun--just a handful of
dust-coloured figures about some ironwork--go about their work swiftly
and silently. A word with the telephone orderly as to range and angle
and shell, a brisk order, a yellow-painted shell is whipped smartly out
of its neat _caisson_ standing open by the gun, its doors flung wide
like two arms, as though to say, “Help yourself!” there is a snapping
and a clicking of bolts and blocks, then the voice of the sergeant:
“All ready to fire, sir!”
The gun is laid on its quarry. No gun fires without an object.
Somewhere in the sun-bathed flats beyond, where the horizon is smudged
in blue behind a curtain of dancing heat, there are men whose glass
of life is all but run out. How often have I thought on this picture,
in the few seconds’ interval between that short phrase, “All ready to
fire, sir!” and the brisk command: “No. 1 gun, fire!” ... A group of
Germans, not the fierce helmeted Huns in exquisitely neat uniforms
that our artists love to show us in the illustrated papers, but vague
figures in ill-fitting dirty grey that makes them look like scavengers,
with trousers, showing a band of white lining, turned up over their
boots, curiously long tunics unbuttoned at the throat, and little round
caps, all stained with mud and sweat, their heads beneath shaved until
the skin shows greyish through the pale stubble--a group of vague
Unknowns waiting for death.
Perhaps they are walking up a communication trench, plodding in Indian
file, silent; maybe they are sitting outside a dug-out talking of the
things which form the staple conversation of the men on both sides
out here--their food, their duties, their spell of rest from the
trenches, their leave, their sergeant. All are marked down by the Power
that regulates these things--those that are to die, those that shall
survive. Even now one is taking that step forward that shall save his
life, another has tarried an instant, and for that instant’s delay he
shall die. The cigarette that the officer in our battery is lighting
shall give the doomed ones a few seconds’ respite.
The shell is in the gun, bearing in its shining and beautifully turned
case that which shall release a never-ending succession of events
springing from the widows and orphans which this shot shall make.
In a second now it will be sped, in another second its work will be
done. There will be telegrams--ill-omened and feared visitants in
these days of war--arriving in German homes, in the officer’s flat on
the third-floor of a dull street in a garrison town, in the tenement
dwelling in a Berlin slum, in a farm in Pomerania, in a wooden cottage
on a pine slope in the Black Forest.
Public-domain text, read in full here on John Shaqi.
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