So the old places awoke. _The Times_ and the _Daily Mail_ appeared
where formerly the _Figaro_ and _La Croix_ (pillars of the old French
nobility) were seen; the _Winning Post_ found itself side by side
with _The Lives of the Saints_ (in thirty-eight volumes in calf);
and pictures of charming young ladies cut out of the _Sketch_ or _La
Vie Parisienne_, particularly Rudolphe Kirchner’s delightful sketches
from the latter, were pinned up on the walls next to family portraits
of dead-and-gone châtelains and châtelaines. The green tree-frogs,
sprawling lazily in the sunshine among the sedge on the surface of the
moat, leapt away in high indignation at the invasion of their realm by
noisy young men with bath-towels. The rooks in the plantation cawed
in raucous protest against the thin blue curls of smoke arising from
the camp-fires of the troops bivouacked among the oaks and beeches,
singing, hammering, rattling tins, and jesting from dawn to dark. The
birds watched in amazement men-folk doing work they had been wont to
believe was the prerogative of rabbits and moles, scraping deep holes
in the ground, roofing them with timber, and thatching them with
leaves, and vanishing therein when blasts on a whistle heralded the
approach of the curious new birds recently noticed in the sky, birds
that glittered whitely far up among the clouds and droned angrily like
a giant bumble-bee.
I have seen many striking contrasts in these châteaux of France. One
day I turned into the courtyard of as dainty a little château as ever
the fifteenth Louis of gallant memory built for a lady. It was one of
the country places of a French officer then at the front, and very
rarely visited by him. Its grounds were neglected, the iron gates were
rusted and broken, and the stonework running round the flat and shallow
fish-pond was hoary and cracked with age. Against a superb background
of green foliage, a mighty screen of poplars bordering a drive that ran
out to the blue horizon, a horseman sat on his horse, turbaned, a lance
at his stirrup, immobile, a sublime equestrian statue. It was an Indian
sowar, a Pathan trooper of the native cavalry. He sat perfectly still
in the sunshine, in the silence that was Pompadour France....
Public-domain text, read in full here on John Shaqi.
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