With the Battle Fleet: Cruise of the Sixteen Battleships of the United States Atlantic Fleet from Hampton Roads to the Golden Gate, December, 1907-May, 1908Matthews, Franklin
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With the Battle Fleet: Cruise of the Sixteen Battleships of the United States Atlantic Fleet from Hampton Roads to the Golden Gate, December, 1907-May, 1908
Matthews, Franklin
United States. Navy. Atlantic Fleet -- Cruise, 1907-1909
The longer one remains on a warship, either as a member of the crew or
as a guest, two things become more and more impressive. One is the
reverence for the quarter deck and the other is the patriotic regard for
the national hymn, "The Star Spangled Banner." The quarter deck seems to
be almost a holy place. The officers salute it as they step upon it. No
stain is allowed to remain upon it. If a man for instance were found
spitting upon it--well, hamstringing would be the fitting penalty, if
the feelings of those outraged by the performance were consulted. This
regard for the deck has come down from the earliest naval traditions.
The soil of the country is represented there. The flag waves above it.
Sovereignty finds expression there. It is the place of all ceremonies,
the one place sacred to all that is best in tradition, rules of conduct,
liberty, national achievements on the sea, national hopes and
aspirations. It must never be profaned.
The sound of the first bar of the national hymn brings every naval man
who hears it to attention. The mental attitude is one of intense respect
as well. That anthem never becomes a bore to the officers and men. Its
notes are a call to duty and the salute, when it is ended, is a public
pledge of fealty to the flag. No music is played on ship more carefully
and with more earnest effort to get every shade of feeling out of the
notes. Reverence for the tune is a living thing, and after one has been
on shipboard for a week he begins to feel ashamed of the public
indifference to the tune ashore.
Let one incident reveal the regard for the hymn on shipboard. We were
steaming just below the equator on the way to Rio Janeiro one evening,
when showers made it impossible for the band to play on deck. The
concert was held in a casemate and the humidity added great discomfort
to the intense heat. The members of the crew off duty had stripped to
their undershirts and trousers. The musicians had also thrown off their
coats. Their faces ran with sweat as they played.
Every concert ends with "The Star Spangled Banner." It was time to play
it. All the musicians stood up and the men who had crowded in to hear
the music came to attention, but not one move toward lifting his baton
would the bandmaster make until every one of his men had put on his coat
and hat. They might play Strauss waltzes and even Wagnerian selections
in their undershirts, but no note of the national hymn could be played
until every man was in dress befitting the occasion. All this is nothing
unusual, but it is impressive to the man who sees it for the first time.
Public-domain text, read in full here on John Shaqi.
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