With the Doughboy in France: A Few Chapters of an American EffortHungerford, Edward
History
With the Doughboy in France: A Few Chapters of an American Effort
Hungerford, Edward
American National Red Cross; World War, 1914-1918 -- United States
Sometimes there was not quite so much fun in the situation. The girls
who ran the Red Cross hut in the tuberculosis hospital of the Savenay
group, almost directly across the highroad from Number 69, had a far
weightier problem upon their shoulders. To amuse there, was a vastly
more difficult task. For they knew--as most of its patients knew--that
the man who entered the portals of that particular hospital was
foredoomed. If he had a fighting chance of conquering the "T. B." he was
packed into the hospital ward of a transport and rushed home. If he did
not have that fighting chance--well, why waste precious transport space?
To Savenay with him. And to Savenay he went to spend his days--and end
them--in a cheery, camplike place where there were croquet and less
strenuous games and broad piazzas that looked down across the valley
toward the embouchure of the Loire, while Red Cross girls came and went
and did their womanly best to comfort and amuse a fellow--and make him
forget; forget the back door of the little hospital where, night after
night, four or five fellows went out--in pine boxes, never to return,
and the rows of wooden crosses down in the American cemetery at the foot
of the hill steadily grew.
* * * * *
Turn back with me, if you will, inland from Savenay to the curved
streets of Vichy--little Vichy situated in the very foothills of the
high Alps. It is January now, not April. We have turned backward in full
earnest, and are breathing the air of those hard weeks and months that
followed immediately upon the signing of the armistice.
Vichy, in its very compactness, with the flat yellows of its curious old
buildings and its equally curious modern hotels, with the
fifteenth-century tower in the background and the quiet River Allier
slipping by, has the fascinating unreality of a stage setting--one of
those marvelous effects with which the genius of a Belasco or a Joseph
Urban from time to time delights in dazzling us. In spring or in summer
we might find it prepared for carnival--with green-painted chairs and
tables underneath the still greener foliage of its small park. But this
is January and the park is deeply blanketed in snow. In such a serene
midwinter setting it seems far more ready for silent drama than for the
blare of carnival--the figures in olive drab are indeed quite the
figures of pantomime--brown against the whiteness of the snow. The only
touches of color in the picture--tiny splotches of green or blue or
purple or yellow--are supplied by the tiny cloth bags that the men carry
with them. They are preparing to entrain--the first step of many on the
way back to the homeland--and the vari-colored bags, each marked with a
crimson cross, are the comfort kits they genuinely cherish.
Public-domain text, read in full here on John Shaqi.
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