With the Doughboy in France: A Few Chapters of an American EffortHungerford, Edward
History
With the Doughboy in France: A Few Chapters of an American Effort
Hungerford, Edward
American National Red Cross; World War, 1914-1918 -- United States
None of the women's work over there was easy--the romantic girl who went
to France lured on by the dream pictures of some artist-illustrator as
to the dramatic phases of canteen or hospital work was quickly
disillusionized. The real thing was vastly different from the picture. A
dirty and unshaven doughboy in bed or standing in a long queue waiting
for his cigarettes or chocolate, and speaking Polish or Yiddish when he
came to them, was a far, far different creature from the young wounded
officer of the picture who must have been an F. F. V. or at least from one
of the first families of Baltimore or Philadelphia. And the hours! They
were fearfully hard--to put it lightly. Eight, ten, or twelve hours at a
stretch was a pretty good and exhausting test of a girl's vitality. Nor
was this all of the job, either. Many and many a woman worker of the Red
Cross or, for that matter, the Y. M. C. A., too, has stood eight or ten
or twelve hours on her feet in a canteen and then has ridden twenty or
thirty miles in a truck or camionette to an army dance, has danced three
or four or five more hours with soldier boys who, even if they do not
happen to be born dancers, do covet the attention and interest of decent
girls, and has returned to only a few hours of sleep, before the long
turn in the canteen once again. And has repeated this performance four
or five times a week. For what? Because she was crazy for dancing? Not a
bit of it. For of a truth they became sick of dancing--"fed up" is the
phrase they frequently used when they spoke of it at all.
"I feel as if I never wanted to hear an orchestra again," one of them
told me one day as I stopped at her canteen--in a French town close to
the occupied territory. "But I have four dates already for next week and
three for the week after. Another month of this sort of thing and I
shall be a fit candidate for a rolling chair."
"Why do you do it?" I ventured.
"Why do I do it?" she repeated. "The boys need us. Have you noticed the
kind of girls that drift up here from Paris? If you have, you will
understand why my job is unending, why it only pauses for a very little
while indeed at night, when I jump into my bed for six or seven hours of
well-earned sleep."
Public-domain text, read in full here on John Shaqi.
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