With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
About two hundred officials had been invited to see the circus, and,
contrary to the usual custom, there was no screen between them and the
Imperial party. On the right were two bands of foreign music, or rather
of Chinese musicians who played foreign music on European instruments.
These were the bands of Yuan-Shih-Kai, Viceroy of Tientsin, and of Sir
Robert Hart, the Inspector-General of Imperial Customs. Sir Robert’s
band was formed about eighteen years since, when, as music is his
hobby, he decided to try to have some Chinese taught European music
on European instruments. He has now a well-equipped band of twenty
trained Chinese musicians under a competent European conductor. They
play on both brass and stringed instruments. His efforts have been so
successful that his example has lately been followed by several high
Chinese Officials, first among whom was Yuan-Shih-Kai. The latter’s
band is military, with fifty musicians, who play only on brass
instruments. The two bands played alternately during the intervals of
the performance.
For the first time during my residence at the Palace, I now had an
opportunity of seeing the Imperial Princes and many of the great
nobles and officials. Though they were often asked to the Theater at
the Palace, the screen between them and the Imperial loge was never
removed, except at the end of the performance, when they bowed their
thanks and when the Ladies retired to their own loge. The gentlemen,
however, could be well seen at the circus; and though the Chinese
Ladies did not glance in their direction, I took advantage of being a
foreigner, and when I was behind the others, and could do so without
being seen, I closely scanned their faces and attire. Several of the
Princes of the Imperial Family came up to the platform where Their
Majesties sat and made their bows to them, afterward slightly saluting
their relations among the Ladies and Princesses.
Among these young Princes at the circus was a son of Prince Kung and
an adopted son of the Imperial Princess. This young man not only had
a remarkably fine figure, tall and slender, with broad shoulders, but
his face was very handsome. His bow, on coming up to pay his respects
to Their Majesties, was as graceful as that of a young chevalier. His
regard was so ingenuous, his expression so clever and withal so modest,
his whole demeanor so gracious, I was much struck with him. His dress
was elegant, and his jewels chosen with discretion. There was none
of that overloading of belt ornamentation that the young dandies of
the Imperial set were then affecting. His father was one of the great
Princes of China, and if this young man develops and carries out the
promise of his youth (he was then only seventeen), I fancy he will
be heard of also. Like most of the young Manchu Princes, he held a
position in the Imperial household, such as Master of the Horse or
Captain of the Archers.
Public-domain text, read in full here on John Shaqi.
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