With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
Here she could come, from the privacy of her bed-alcove, mount the
hidden stairs when she willed, unnoticed and unattended, and here seek
that peace which seemed so far away those troubled days of January,
1904, when all looked so dark for her country.
Her Majesty’s Throne-room is in the first of three large halls in
the northeastern corner of the inclosure, which, with their courts,
extend to the exterior walls of the Palace. The buildings are raised
about eight feet above the marble-paved court and are approached
by handsome, white marble steps. Leading up to the second, for the
first time I saw a “spirit-stairway” used in secular architecture.
This “spirit-stairway” consists of a block of marble placed in the
center and reaching from the top to the bottom of the stairway. This
block, instead of being cut into steps, is elaborately carved with the
double dragon. It lies in the middle of the stairway like a beautiful
heavy carpet thrown over it, too stiff to take the form of steps. The
“spirit-stairway,” not to be touched by mortal feet, is used in the
approaches to all the fine temples; and when, as in the case of the
Temple of Heaven at Peking, the stairs are high, the effect is as
beautiful as it is original and unique.
[Illustration: CONFUCIAN TEMPLE--SPIRIT-STAIRWAY
IN CENTRAL FLIGHT OF STEPS]
The hall with the “spirit-stairway” is the handsomest of the three in
the Empress Dowager’s inclosure. Its interior, a height of fifty feet,
has a splendid coffered ceiling, and its walls are of wonderfully
carved wood, with cloisonné medallions, which give great richness and
splendor. A balcony surrounds this lofty hall, with openings from it
into rooms over the side apartments, which are of but the usual height.
This great front hall, with a dais and throne, screen and ceremonial
fans, showed it was for more formal receptions than the beautiful domed
room we had first entered. Opposite the Throne dais stood a “cistern”
of splendidly carved jade to hold water for cooling the temperature
in summer. A handsome music-box, which had been sent as a present to
the Dowager Empress by Queen Victoria, and several other presents from
European Royalties, stood around. The apartments on the right were for
His Majesty’s use when he came to the Theater, which was near. On the
left were Her Majesty’s night apartments. Two doors led through the
open-work screen which separated the hall from the entrance at the rear.
Here there was another magnificent block of jade, about five feet high,
elaborately carved in designs representing the manner in which the jade
is mined and taken from its native mountains.
Public-domain text, read in full here on John Shaqi.
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