With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
I found the light, in the magnificent hall which had now become my
studio, so obscure, even in front of the great plate-glass doors, that
it was almost useless to attempt to work. After trying to do so for two
or three days, I told the head eunuch it was impossible. I did not wish
to trouble Her Majesty with my annoyances, for she had enough of her
own cares, and seemed to grow daily more and more anxious and depressed
over the constantly growing rumors of war in Manchuria; but it was
impossible to work longer where I was, and I decided I would have one
of the ends of the hall, which projected beyond the overhanging eaves
of the verandah, fitted up for my work, and in order to have sufficient
light, even here, it was necessary to have the upper paper windows
replaced by plate-glass. The eunuchs demurred. They said this would
necessitate great changes, with heavy expense, besides establishing a
precedent, as no other part of the Palace had plate-glass windows at
the top! The next time the Empress Dowager came in, I told her it was
impossible to work as it was. She, herself, remarked how dark it was,
and noticed the reflection from the yellow roof opposite. And when
she heard what I wished, she ordered it to be done at once, saying she
would “speak to the Emperor” about it. An order of Her Majesty’s was
always promptly carried out, and two days after, to my astonishment,
the plate-glass windows were placed as I wished. I had the divan that
was built under the windows removed, and all the furniture taken out
of this end of the hall. The eunuchs hesitated about removing an
immense elephant clock of wonderful mechanism, as it had not been
moved for a hundred and fifty years, but I finally accomplished even
this! Even without the furniture, this end of the hall was but a small
space in which to work; but I had a fairly good light, and a quiet
place to paint in, for the first time since I began painting the
Empress Dowager. Here I was sufficiently far away from Her Majesty’s
apartments, as well as from those of the Princesses and Ladies, to
be able to work in quiet, without interruptions. A set of European
furniture had been placed in the great hall, when it was decided to
give it to me, and though this did not please me, in an artistic sense,
it being absolutely out of keeping with its environment, I found the
well-cushioned easy-chairs a real comfort when I wanted to rest.
Public-domain text, read in full here on John Shaqi.
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