With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
Only a few days after this, came the lantern festival; but this was not
an interruption to my work, for I painted all day, and only went to the
Theater for the final piece and the spectacular tableau. We dined in
the Imperial loge, and after dinner there were beautiful lantern and
torch-light processions. In the court opposite the Throne-room where
we dined, there was a beautiful pai-lou of transparent gauze, painted
in charming designs, illuminated from within, and hung with luminous
flowers and quaint lanterns. Tall eunuchs, in gala red, stood around
the courts, holding great lanterns aloft, like huge caryatides with
luminous burdens. Others with fanciful vermilion lanterns wound in and
out through corridors and courts. When they reached the court of the
softly glowing pai-lou, they manœuvered and made intricate designs and
luminous tableaux, holding aloft their red-globed lanterns to form
characters and phrases of “felicitous omen.” These huge, luminous
characters were wonderfully accurate.
After the torch- and lantern-lit processions, and the glowing tableaux,
a pair of illuminated dragons writhed into the court and struggled
for the “flaming pearl,” which flitted around with elusive fantastic
movements, ever beyond their grasp. I was not able to find out the
origin of the Imperial legend of the Double Dragon and the Flaming
Pearl, representations of which appear everywhere at the Palace on
whatever is meant for Imperial use, or for any official function over
which the Emperor is supposed to preside. It is on all the Thrones of
the Dynasty; it adorns the Imperial pennant; it is cut into stone,
carved into wood, and painted in pictures. It decorates the gowns of
the higher officials, and is embroidered upon the Court dresses of the
Ladies of the Palace. At the Birthdays of the Emperor and Empress,
and at all Dynastic celebrations there are realistic representations
of the immortal struggle where the Double Dragon strives to absorb
the “flaming pearl.” The significance of the legend seems to be: The
Double Dragon represents the Powers of Earth or Evil which try ever to
absorb the Flaming Pearl, Emblem of the Dynasty, symbol of Heaven or
Perfection. The Flaming Pearl, the Unattainable, keeps ever beyond and
above their grasp, seeming to serve always as an incentive for further
effort.
Public-domain text, read in full here on John Shaqi.
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