With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
In May, the Empress Dowager had another Garden Party for the ladies of
the Legation, at which she, as usual, asked me to assist. When I went
into the Audience Hall for this reception, a few moments before the
ladies were to arrive, Her Majesty, after greeting me and scanning my
toilet, which was all in gray without any color, took a pink peony from
a vase at hand, and pinned it on my dress, saying I needed a little
color. I had just finished the largest of the other three portraits I
had painted at the Summer Palace, and Her Majesty told me she liked it
so much that she had decided to show it to the foreign ladies at this
Garden Party. As I had heard nothing of this plan before leaving my
studio that morning, I had made no preparations for it. The picture was
on my easel, unframed, and I told her I would prefer it to be placed
in its frame, before it was shown. This frame, designed also by the
Empress Dowager, and made by the Palace workmen, was a magnificent
piece of work, elaborately carved and beautiful in form. It was in the
natural color of teakwood, and this quiet tone admirably set off the
vivid color of the gown and accessories, and was a great improvement
to the picture. When she heard what were my wishes on the subject, Her
Majesty said she would see that the picture was placed in the frame,
and it was arranged that as soon as I had finished my luncheon, I
would return to the studio and overlook things myself, and arrange the
portrait as I wished.
The Audience passed off as usual. Immediately after luncheon the ladies
were invited to go to the studio to see the portrait. The Empress
Dowager had evidently forgotten about my wish to go there first, and as
she herself, contrary to all precedent, led the way, followed by the
ladies, I could not, of course, precede her. I had not thought that
she would make such an innovation as to, herself, accompany the ladies
to the studio. I felt greatly honored, but I feared the eunuchs had
not arranged things as they should be, and knew I could do nothing
with Her Majesty present, and what was my chagrin on reaching the
hall in the wake of the Empress Dowager and the ladies, to find that
the portrait, though placed in the frame as I had desired, was in the
center of the narrow hall, and every window on both sides had been
opened to its widest extent, and the light came in from all sides! I
had shut off all the lights of this hall, except the double windows to
the north, where I had the upper glasses put in, and this is where the
picture should have been placed, but as Her Majesty’s Throne always
occupies the center of the Throne-rooms, the eunuchs evidently thought
that was the proper place for her portrait when on exhibition. As
the halls are narrow in proportion to their length, no one could get
further off than four feet from this life-size portrait. This, added
to the cross-lights, was heartrending. I was in despair. Her Majesty’s
Public-domain text, read in full here on John Shaqi.
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