With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
The next day the Court returned to the Summer Palace. The festivities
and sacrifices in connection with the Emperor’s Birthday being now over
and the Court settled down to its usual routine, I hoped I might be
allowed to go regularly to work on the portrait, and that Her Majesty
would allow me to paint when she was not posing. There was much I could
do between times, and she could pose but for a short time each day. Up
to that time, Her Majesty had treated me as a guest at Court, whose
amusement was the most important thing to be looked after. She seemed
much interested in the work, but my painting was an incident and even
the “Sacred Picture” a secondary consideration. All these walks, these
delightful excursions, were perfectly charming, and, had I gone to the
Palace to enjoy myself, or to study Her Majesty and Chinese manners and
customs, I would have been perfectly satisfied. I had, in the Empress
Dowager, a psychological study full of ever varying and constant
interest. I was living through a unique experience, seeing what I could
never hope to see again, but I was not allowed to paint on the portrait
as much as I should have liked. Could I but have had permission to
work more, I should have been very happy. Had I been able to speak
Chinese well enough, I felt I would obtain what I desired; she had
shown herself so uniformly kind. She probably felt I was enjoying
myself more in this way than working at my painting.
While I thoroughly enjoyed the promenades with Her Majesty, I loved the
daily sittings. Every portrait painter knows the sort of intimacy that
establishes itself between him and his sitter, however unsympathetic
the latter may be at first sight, which was certainly not the case in
this instance. The effort of the painter to get under the exterior and
discover the real person of his sitter; the desire to see the best side
and make the most of it, meets generally with a sympathetic response.
If the “rapport” is properly established, they get to know each other
better by the time the portrait is finished than they could otherwise
have done, perhaps in years. Though I saw Her Majesty so intimately at
other times, I felt I was not seeing her “face to face” (figuratively
speaking), except at the sittings.
[Illustration: ON THE ROAD FROM PEKING TO THE SUMMER PALACE]
Public-domain text, read in full here on John Shaqi.
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