With the movie makersStearns, Myron M. (Myron Morris)
General
With the movie makers
Stearns, Myron M. (Myron Morris)
Motion pictures -- Juvenile literature
So here would be your first trouble: _How would you tell which pictures
would please your audiences most?_
Maybe your own taste would run to outdoor adventure stories—stories of
the Texas border, and range riders, and tales of the Northwest Mounted
Police. But if your theater happened to be, let us say, in a factory
town where the majority of your patrons were mill-hands, it might be
that you would find they did not like “Westerns” half as well as what
are usually called “Society” films, which showed millionaires’ homes,
and Wally-haired heroes who did their best work driving sport-model
automobiles. Moreover, you might find that, because your customers
actually knew so little about the home life of American millionaires
that they liked to watch, utterly inaccurate “Society dramas” with
a strong melodramatic flavor, possibly of the kind known as “Heart
interest” would “get across” better, and draw bigger audiences,
and make more money for you, than more accurate pictures with less
melodramatic “pep” in them. What would you do then?
The average movie exhibitor buys (or more properly rents) his films
through what is called a local “Exchange.” It gets its name from the
fact that films are continually exchanged there—the old ones that have
already been run for the new ones that have been rented for the next
night or next week.
There may be several different exchanges in the town where the
exhibitor goes to do his movie shopping. Indeed, there usually are,
for each big distributing company has its own local office or “branch
exchange” in every important center throughout the United States—the
larger exchanges, covering perhaps a territory of several States,
supplying their own smaller branch exchanges in that territory,
and these in turn supplying the still smaller local exchanges, and
these supplying the exhibitors direct. Then, in addition to the big
distributing companies, there are usually small or “independent”
concerns also offering films to the exhibitors—usually of the poorer
and cheaper variety.
So, when you came to do your film shopping you would have perhaps a
dozen different places to go to, and each of these places would have a
whole lot of films for you to choose from.
Public-domain text, read in full here on John Shaqi.
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