Chicago (Ill.) -- Fiction; City and town life -- Fiction
He heard Bingham's voice again. It was declaring that in the history of
every great mercantile city there was a single short period--a passing
moment, almost--on which the citizen who wished to impress himself upon
the community and to imbed himself in the local annals must seize.
Marshall heard him instancing the Fuggers, of Augsburg, and the Loredani
and Morosini, of Venice, and the Medici and Tornabuoni, of Florence,
and many other names alien and all unfamiliar--merchants, most of them,
it seemed, who had perpetuated their name and fame by improving the
precise moment when their town, like plaster-of-Paris, was taking its
"set."
"Make your impression while you may," concluded Bingham. "This is the
time--this very year. The man who makes his mark here to-day will enjoy a
fame which will spread as the fame of the city spreads and its power and
prosperity increases. You know what we are destined to be--a hundred
times greater than we are to-day. Fasten your name on the town, and your
name will grow as the town itself does."
Marshall drove home thoughtfully in the new carriage, with the new
horses, and August in his new cape-coat. Eliza Marshall, who had sat
gingerly upon the edge of her seat in driving out, now leaned back at her
ease when returning; it seemed that, with a little practice, she might
easily become habituated to luxury. As she re-entered her old familiar
parlor, she almost gave a gulp of mortification over its plainness and
shabbiness; for the first time in years she had given herself a chance to
know it for what it was.
"There, now," Jane declared loudly, "you've both seen what money and
brains can do. Well, haven't _we_ got money? Haven't _we_ got brains? Is
there any reason why _we_ shouldn't be known, and looked up to, and
respected?" And at breakfast next morning she opened out upon her father
once more. Her lunch-room was now, thanks to her solicitings and her
concert, in full running order, and moving on to a marked success. To-day
she was rising to a more ambitious plane. Not a college building, not
an assembly-hall; no, during the watches of the night she had risen to
the conception of a working-girls' home. Her father had been listening to
the mellow and flowing hautboy of Susan Bates, and to the deep diapason
of Tom Bingham; but his daughter had now pulled out the coupler and was
screaming shrilly above all the other voices of the organ. He felt almost
deafened, stunned.
The "second girl" came in, frightened. "What is it?" asked Eliza
Marshall.
"August is in the kitchen, with his face all cut and bleeding." Jane left
her father. "Let me go out and see what it is." It was another chapter in
the Van Horn matter. Roger, having become more familiar with police-court
methods, had been pushing things with greater vigor and effect. During
the past night two or three ruffians had broken into the stable, had
shattered the windows of the new carriage and defaced its panels, and had
beaten the coachman.
Public-domain text, read in full here on John Shaqi.
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