Chicago (Ill.) -- Fiction; City and town life -- Fiction
"Well, really, father," began Roger. He had almost the air of resenting
an imputation.
"I don't mean that, Roger," said his father, in some distress. "I have
every confidence in you; I believe you're all right. But--"
"Has anybody seen the girl?"
"Your mother says that--well, she says that Jane has seen her"--he
brought in his daughter's name with a great distress--"and your aunt
Lydia. She told your mother she was sure this girl was one to lend
herself to--to--"
"H'm," said Roger, in a non-committal way. He always subjected his aunt
Lydia's opinions and impressions to a double discount.
Meanwhile the odor of Truesdale's offence permeated the house as
completely as the office. Rosy wondered what could be under way as she
saw her mother and Jane seated on unaccustomed chairs in unaccustomed
attitudes at unaccustomed times in unaccustomed rooms while they engaged
in brief and infrequent interchanges of words, or co-operated for the
production of long and eloquent silences. Jane, in fact, took the matter
with the rigorous thoroughness of the complete theorist. She knew what it
was to thread the mazes of a guilty conscience through half a dozen
consecutive chapters; she knew how it felt to see the agonies of
acknowledged sin transferred from chair to sofa and sofa to chair over
the full extent of a large and well-equipped stage. How the leaves had
fluttered! How the footlights had palpitated! How those people had
suffered--and how she had suffered with them! How she was suffering
now--and how much greater still must be the suffering of her erring and
idolized brother!
"If he had only been born with eyes like other people's!" she would moan.
The actual mental state of Truesdale was, however, with Jane and with
everybody else, a matter of pure conjecture. Very little, in fact, was
seen of him. He breakfasted in his own room, as he had done ever since
his return home. When the waitress had declined to enter the chamber with
his coffee and rolls he had shrugged his shoulders and had directed to
have them set on the floor outside. "_Quelle pudeur!_" he more than once
observed, as her knock drew him towards the door. His lunch he took
wherever he happened to be, and he dined at his French restaurant, or at
a new Italian one where the _spaghetti_ was unapproachable, and where
everything was cheap, plentiful, and informal. He returned home at his
own discretion, and sometimes was heard working upon the obdurate old
night-lock at midnight or later.
Among the first of the family to have extended speech with him after the
_exposé_ was his aunt Lydia. He had gone to her house to put the
last few finishing touches to Bertie Patterson's portrait. To his aunt
and to Bertie herself the portrait seemed already finished, but it is
only the artist who knows when the end has really been reached. He asked
his aunt for Bertie.
Public-domain text, read in full here on John Shaqi.
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