Chicago (Ill.) -- Fiction; City and town life -- Fiction
He felt that he had earned the right to speak. He had done well by
Marshall, and he knew that Marshall was pleased. It was more as a
personal favor than anything else that he had undertaken the work upon
the warehouse; he had put it through more promptly than anybody else
could have done, and with less interruption to the course of trade than
either of the firm would have imagined possible. For the past month the
business had been comfortably accommodated in its enlarged quarters,
and the two new floors were already habituated to the occult processes
which competition and a minutely graded scale of prices impose upon even
the most righteous of the trade. It is but fair to say, however, that
Marshall & Belden always saw that their sugar was as saccharine as a
specified price would permit, and that their coffee-roasters met the
lowered standard of cheap purchasers as well as the apparatus of any
rival did.
Yes, everything was running smoothly, and Bingham felt that he might
venture a slight trespass upon the friendliness and tolerance of his last
client.
He looked at Marshall for a moment with a slow and cautious smile. "Yes,
the young people are holding up their end; but how about the 'old man'
himself?"
"Oh, that's it!" thought Marshall. He made an instant and intuitive
application of this remark. He _was_ declining towards the horizon; he
_was_ shining but dimly compared with the twinkling of his attendant
satellites.
"Well, the 'old man' isn't altogether useless by a long shot. The young
people dance--and the old people furnish the platform. See here, Bingham.
I don't have to go to the papers to learn what my daughters wear to
parties; I've got my own papers here right within easy reach." He
contracted his brows as his eyes turned towards the pigeon-holes. "A
better account, too, than the newspaper one--fuller, exacter, more
detailed, backed up by figures--down three long sheets and half-way down
a fourth. And I don't need to go to art-galleries to understand what
opportunities my son has had to learn to paint; the foreign exchange man
at our bank could tell me all about that. And I don't have to go to
concerts, either, when I want to make my contribution to a benevolent
object: I can sit right in this room and draw checks, and be told just
how much to draw them for, too. Yes, Bingham, there are a great many ways
for an old fellow like me to make himself useful, and I am not allowed
to overlook any of them."
Marshall's tone and expression during this exposition had wavered back
and forth between jest and protest. But his eyes wandered towards those
pigeon-holes again, and his mien and accents drew on a shade of distinct
melancholy.
Public-domain text, read in full here on John Shaqi.
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