In the primeval forest, looking upon that upon which my teachers and
masters, Humboldt, Spix, Martius, Schomburgk, Waterton, Bates, Wallace,
Gosse, and the rest, had looked already, with far wiser eyes than mine,
comprehending somewhat at least of its wonders, while I could only stare
in ignorance. There was actually, then, such a sight to be seen on
earth, and it was not less, but far more, wonderful than they had said.
My first feeling on entering the high woods was helplessness, confusion,
awe, all but terror. One is afraid at first to venture in fifty yards.
Without a compass, or the landmark of some opening to or from which he
can look, a man must be lost in the first ten minutes, such a sameness
is there in the infinite variety. That sameness and variety make it
impossible to give any general sketch of the forest. Once inside "you
cannot see the wood for the trees." You can only wander on as far as you
dare, letting each object impress itself on your mind as it may, and
carrying away a confused recollection of innumerable perpendicular lines
all straining upward, in fierce competition, towards the light-food far
above; and next of a green cloud, or rather mist, which hovers round
your head, and rises thickening to an unknown height. The upward lines
are of every possible thickness, and of almost every possible hue; what
leaves they bear, being for most part on the tips of the twigs, give a
scattered, mist-like appearance to the under foliage.
For the first moment, therefore, the forest seems more open than an
English wood. But try to walk through it, and ten steps undeceive
you. Around your knees are probably Mamures, with creeping stems and
fan-shaped leaves, something like those of a young cocoa-nut-palm. You
try to brush through them, and are caught up instantly by a string or
wire belonging to some other plant. You look up and round, and then you
find that the air is full of wires,--that you are hung up in a net-work
of fine branches belonging to half a dozen different sorts of young
trees, and intertwined with as many different species of slender
creepers. You thought at your first glance among the tree-stems that you
were looking through open air; you find that you are looking through a
labyrinth of wire rigging, and must use the cutlass right and left at
every five steps.
Public-domain text, read in full here on John Shaqi.
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