In the back bedroom were Mrs. Sing and Mrs. Wo, with several little Sings and Wos. It was too dark to see what they were doing; for the only light came from the open front of the shop, which seemed to run back like a cave in a hill. On shelves on the sides were teacups and teapots, and plates of fantastic shapes and gay colors. Sing and Wo were most courteous; but their interest centred entirely on sales; and I could learn but one fact from them in regard to any of their goods. It was either "Muchee good. Englis man muchee like," or else, "China man like; Englis man no like." Why should I wish to know anything further than that some articles would be agreeable to "Englis man's" palate, and others would not? This must be enough to regulate my purchases. But I shall always wish I knew how those chickens were fattened and what the vivid yellow cakes were made of. [Next our traveller looks into the shop of Ty Wing & Co., where nothing appears but darkness, dust and cobwebs, and two Chinese women eating something unknown with chopsticks; that of Chick Kee, a druggist, with feathers and banners without and nothing but old dried roots visible within; and of Tuck Wo, a restaurant-keeper, where nothing is visible that she has the courage to taste.] Moo, On & Co. come next. Their shop is full, crowded full,--bags, bundles, casks, shelves, piles, bunches of utterly nondescript articles. It sounds like an absurd exaggeration, but it is literally true, that the only articles in his shop which I ever saw before are bottles. There are a few of those; but the purpose, use, or meaning of every other article is utterly unknown to me. There are things that look like games, like toys, like lamps, like idols, like utensils of lost trades, like relics of lost tribes, like--well, like a pawnbroker's stock, just brought from some other world. That comes nearest to it. Moo, On & Co. have apparently gone back for more. Nobody is in the shop; the door is wide open. I wait and wait, hoping that some one will come along who can speak English, and of whom I may ask what this extraordinary show means. Timidly I touch a fluttering bit, which hangs outside. It is not paper; it is not cloth; it is not woollen, silk, nor straw; it is not leather; it is not cobweb; it is not alive; it is not dead; it crisps and curls at my touch; it waves backward, though no air blows it. A sort of horror seizes me. It may be a piece of an ancestor of Moo's doing ghostly duty at his shop door. I hasten on and half fancy that it is behind me, as I halt before Dr. Li Po Tai's door. His promises to cure, diplomas, and so forth, are printed in gay-colored strips of labels on each side. Six bright balloons swing overhead; and peacocks' feathers are stuck into the balloons. I have heard that Dr. Li Po Tai is a learned man, and works cures. His balloons are certainly very brilliant....