Withered Leaves: A Novel. Vol. 2 (of 3)Gottschall, Rudolf von
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Withered Leaves: A Novel. Vol. 2 (of 3)
Gottschall, Rudolf von
German fiction -- Translations into English
The lieutenant who bent over the gunwale to find the flowery sacrifice,
one probably little flattering for him, the donor of the nosegay,
suddenly concealed the _Principessa's_ picture. His effort was futile,
and with reproaches in which, as it appeared, the other gentlemen also
took part, he pulled the boat once more with irate impetuosity towards
the garden side of the lake.
Blanden followed in eager haste, but he found himself amid a confusion
of barks that formed an inextricably entangled clew. Intoxicated sons
of the muses increased the confusion, they took pleasure in the cries
of terror of the girls whose boats began to rock dreadfully, and would
have liked to enact the rape of the Sabines upon the water. Blanden
cursed the interruption; at last he succeeded in freeing his boat; the
_Principessa's_ bark had gained a great advantage, but he might hope to
encounter it again on its return journey.
This hope disappointed him! When he had rowed along the extent of the
last gardens beside the castle lake, he met the empty boat guided by a
boatman.
The party must have landed at some private garden, several of which
enframed the lake at this part; the surly old man on being hailed,
replied "that he knew nothing." The traces of the mysterious beauty
were lost to him again.
"But not for ever," he vowed to himself!
She had thrown the nosegay into the water; should all memory of the
happiness of love be buried with it?
But, no! He was filled with a new hope in life; the castle lake had
suddenly been transformed, as if by fairy's art, into the enchanted
Italian one. Vine clad hill terraces rose on its level shores, distant
lofty ice peaks cast avalanches upon the Alpine passes, and in the
shade of the pines lay the villa upon whose windows the moonlight
played, telling of happiness to come.
CHAPTER VII.
"NORMA."
The theatre bills, announced "Norma;" the character bearing that name
was to be performed by an Italian singer. What was more probable than
that on this evening the _Principessa_ of Lago Maggiore should visit
the theatre?
At the hour of opening the doors, Blanden appeared in the vestibule of
the playhouse, which turns its melancholy monotonous-looking side to
the _Königsgarten_, and resembles a military store building or
laboratory for a Chief of the Ordnance, rather than a temple of art.
Blanden watched all comers with painful anxiety; he greeted Professor
Reising with his sisters-in-law, who appeared in most striking toilets,
in ball costume, which was useless extravagance in the dark apartments
of this temple of the muses, grudgingly illuminated by the chandelier.
The gigantic lieutenant appeared also; behind him was borne a not less
colossal bouquet.
Both Fräulein von Dornau entered, without an escort. Cäcilie looked
paler than she had done at the sea-side; but Olga was as blooming as
though she had just risen from the sacred ocean tide.
Public-domain text, read in full here on John Shaqi.
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