Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
He vouchsafed neither of my prayers; I was in despair
for some days, and then asked myself whether he might not after all have
been right. But this use of "Mr.", if it meant nothing, was at least
intelligible. Not so with another that was revealed to me on the
occasion of this luncheon-party, but revealed without any indication of
its purport. At the moment when I was about to step from the hall into
the drawing-room the butler handed me a thin, oblong envelope upon which
my name was inscribed. In my surprise I thanked him; but I eyed the
envelope with misgivings. I no more knew what I was expected to do with
it than a foreigner knows what to do with one of those little utensils
that they lay by his place at a Chinese banquet. I noticed that it was
gummed down; I was afraid of appearing indiscreet, were I to open it
then and there; and so I thrust it into my pocket with an air of knowing
all about it. Mme. Swann had written to me a few days before, asking me
to come to luncheon with "just a few people". There were, however,
sixteen of us, among whom I never suspected for a moment that I was to
find Bergotte. Mme. Swann, who had already "named" me, as she called it,
to several of her guests, suddenly, after my name, in the same tone that
she had used in uttering it (in fact, as though we were merely two of
the guests at her party, who ought each to feel equally flattered on
meeting the other), pronounced that of the sweet Singer with the snowy
locks. The name Bergotte made me jump like the sound of a revolver fired
at me point blank, but instinctively, for appearance's sake, I bowed;
there, straight in front of me, as by one of those conjurers whom we see
standing whole and unharmed, in their frock coats, in the smoke of a
pistol shot out of which a pigeon has just fluttered, my salute was
returned by a young common little thick-set peering person, with a red
nose curled like a snail-shell and a black tuft on his chin. I was
cruelly disappointed, for what had just vanished in the dust of the
explosion was not only the feeble old man, of whom no vestige now
remained; there was also the beauty of an immense work which I had
contrived to enshrine in the frail and hallowed organism that I had
constructed, like a temple, expressly for itself, but for which no room
was to be found in the squat figure, packed tight with blood-vessels,
bones, muscles, sinews, of the little man with the snub nose and black
beard who stood before me. All the Bergotte whom I had slowly and
delicately elaborated for myself, drop by drop, like a stalactite, out
of the transparent beauty of his books, ceased (I could see at once) to
be of any use, the moment I was obliged to include in him the
snail-shell nose and to utilise the little black beard; just as we must
reject as worthless the solution of a problem the terms of which we have
not read in full, having failed to observe that the total must amount to
a specified figure. The nose and beard were elements similarly
Public-domain text, read in full here on John Shaqi.
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