Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
But for that very reason the sight of her gave me only a
stronger sensation of open air and warmth. All the more because, being
assured in my own mind that, in accordance with the liturgy, with the
ritual in which Mme. Swann was so profoundly versed, her clothes were
connected with the time of year and of day by a bond both inevitable and
unique, I felt that the flowers upon the stiff straw brim of her hat,
the baby-ribbons upon her dress had been even more naturally born of the
month of May than the flowers in gardens and in woods; and to learn what
latest change there was in weather or season I had not to raise my eyes
higher than to her parasol, open and outstretched like another, a nearer
sky, round, clement, mobile, blue. For these rites, if they were of
sovereign importance, subjugated their glory (and, consequently, Mme.
Swann her own) in condescending obedience to the day, the spring, the
sun, none of which struck me as being sufficiently flattered that so
elegant a woman had been graciously pleased not to ignore their
existence, and had chosen on their account a gown of a brighter, of a
thinner fabric, suggesting to me, by the opening of its collar and
sleeves, the moist warmness of the throat and wrists that they
exposed,--in a word, had taken for them all the pains that a great
personage takes who, having gaily condescended to pay a visit to common
folk in the country, whom everyone, even the most plebeian, knows, yet
makes a point of donning, for the occasion, suitable attire. On her
arrival I would greet Mme. Swann, she stop me and say (in English) "Good
morning," and smile. We would walk a little way together. And I learned
then that these canons according to which she dressed, it was for her
own satisfaction that she obeyed them, as though yielding to a Superior
Wisdom of which she herself was High Priestess: for if it should happen
that, feeling too warm, she threw open or even took off altogether and
gave me to carry the jacket which she had intended to keep buttoned up,
I would discover in the blouse beneath it a thousand details of
execution which had had every chance of remaining there unperceived,
like those parts of an orchestral score to which the composer has
devoted infinite labour albeit they may never reach the ears of the
public: or in the sleeves of the jacket that lay folded across my arm I
would see, I would drink in slowly, for my own pleasure or from
affection for its wearer, some exquisite detail, a deliciously tinted
strip, a lining of mauve satinette which, ordinarily concealed from
every eye, was yet just as delicately fashioned as the outer parts, like
those gothic carvings on a cathedral, hidden on the inside of a
balustrade eighty feet from the ground, as perfect as are the
bas-reliefs over the main porch, and yet never seen by any living man
until, happening to pass that way upon his travels, an artist obtains
leave to climb up there among them, to stroll in the open air, sweeping
Public-domain text, read in full here on John Shaqi.
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