Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
When I had explained to my grandmother how unwell I felt, her distress,
her kindness were so apparent as she replied, "Run along then, quickly;
get yourself some beer or a liqueur if it will do you any good," that I
flung myself upon her, almost smothering her in kisses. And if after
that I went and drank a great deal too much in the restaurant-car of the
train, that was because I felt that otherwise I should have a more
violent attack than usual, which was just what would vex her most. When
at the first stop I clambered back into our compartment I told my
grandmother how pleased I was to be going to Balbec, that I felt that
everything would go off splendidly, that after all I should soon grow
used to being without Mamma, that the train was most comfortable, the
steward and attendants in the bar so friendly that I should like to make
the journey often so as to have opportunities of seeing them again. My
grandmother, however, did not appear to feel the same joy as myself at
all these good tidings. She answered, without looking me in the face:
"Why don't you try to get a little sleep?" and turned her gaze to the
window, the blind of which, though we had drawn it, did not completely
cover the glass, so that the sun could and did slip in over the polished
oak of the door and the cloth of the seat (like an advertisement of a
life shared with nature far more persuasive than those posted higher
upon the walls of the compartment, by the railway company, representing
places in the country the names of which I could not make out from where
I sat) the same warm and slumberous light which lies along a forest
glade.
But when my grandmother thought that my eyes were shut I could see her,
now and again, from among the large black spots on her veil, steal a
glance at me, then withdraw it, and steal back again, like a person
trying to make himself, so as to get into the habit, perform some
exercise that hurts him.
Public-domain text, read in full here on John Shaqi.
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