Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
before they come dancing back towards us, are apt to retire so far that
often it was only at the end of a long and sandy plain that I would
distinguish, miles it seemed away, their first undulations upon a
background transparent, vaporous, bluish, like the glaciers that one
sees in the backgrounds of the Tuscan Primitives. On other mornings it
was quite close at hand that the sun was smiling upon those waters of a
green as tender as that preserved in Alpine pastures (among mountains on
which the sun spreads himself here and there like a lazy giant who may
at any moment come leaping gaily down their craggy sides) less by the
moisture of their soil than by the liquid mobility of their light.
Anyhow, in that breach which shore and water between them drive through
all the rest of the world, for the passage, the accumulation there of
light, it is light above all, according to the direction from which it
comes and along which our eyes follow it, it is light that shifts and
fixes the undulations of the sea. Difference of lighting modifies no
less the orientation of a place, constructs no less before our eyes new
goals which it inspires in us the yearning to attain, than would a
distance in space actually traversed in the course of a long journey.
When, in the morning, the sun came from behind the hotel, disclosing to
me the sands bathed in light as far as the first bastions of the sea, it
seemed to be shewing me another side of the picture, and to be engaging
me on the pursuit, along the winding path of its rays, of a journey
motionless but ever varied amid all the fairest scenes of the
diversified landscape of the hours. And on this first morning the sun
pointed out to me far off with a jovial finger those blue peaks of the
sea, which bear no name upon any geographer's chart, until, dizzy with
its sublime excursion over the thundering and chaotic surface of their
crests and avalanches, it came back to take shelter from the wind in my
bedroom, swaggering across the unmade bed and scattering its riches over
the splashed surface of the basin-stand, and into my open trunk, where
by its very splendour and ill-matched luxury it added still further to
the general effect of disorder. Alas, that wind from the sea; an hour
later, in the great dining-room--while we were having our luncheon, and
from the leathern gourd of a lemon were sprinkling a few golden drops on
to a pair of soles which presently left on our plates the plumes of
their picked skeletons, curled like stiff feathers and resonant as
citherns,--it seemed to my grandmother a cruel deprivation not to be
able to feel its life-giving breath on her cheek, on account of the
window, transparent but closed, which like the front of a glass case in
a museum divided us from the beach while allowing us to look out upon
its whole extent, and into which the sky entered so completely that its
azure had the effect of being the colour of the windows and its white
clouds only so many flaws in the glass.
Public-domain text, read in full here on John Shaqi.
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