Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
By this time my grandmother had reappeared, and we all set out together.
Saint-Loup's uncle declined to honour me not only with a word, with so
much as a look, even, in my direction. If he stared strangers out of
countenance (and during this short excursion he two or three times
hurled his terrible and searching scrutiny like a sounding lead at
insignificant people of obviously humble extraction who happened to
pass), to make up for that he never for a moment, if I was to judge by
myself, looked at the people whom he did know, just as a detective on
special duty might except his personal friends from his professional
vigilance. Leaving them, my grandmother, Mme. de Villeparisis and him to
talk to one another, I fell behind with Saint-Loup.
"Tell me, am I right in thinking I heard Mme. de Villeparisis say just
now to your uncle that he was a Guermantes?"
"Of course he is; Palamède de Guermantes."
"Not the same Guermantes who have a place near Combray, and claim
descent from Geneviève de Brabant?"
"Most certainly: my uncle, who is the very last word in heraldry and all
that sort of thing, would tell you that our 'cry', our war-cry, that is
to say, which was changed afterwards to 'Passavant' was originally
'Combraysis'," he said, smiling so as not to appear to be priding
himself on this prerogative of a "cry", which only the semi-royal
houses, the great chiefs of feudal bands enjoyed. "It's his brother who
has the place now."
And so she was indeed related, and quite closely, to the Guermantes,
this Mme. de Villeparisis who had so long been for me the lady who had
given me a duck filled with chocolates, when I was little, more remote
then from the Guermantes way than if she had been shut up somewhere on
the Méséglise, less brilliant, less highly placed by me than was the
Combray optician, and who now suddenly went through one of those
fantastic rises in value, parallel to the depreciations, no less
unforeseen, of other objects in our possession, which--rise and fall
alike--introduce in our youth and in those periods of our life in which
a trace of youth persists changes as numerous as the Metamorphoses of
Ovid.
"Haven't they got, down there, the busts of all the old lords of
Guermantes?"
"Yes; and a lovely sight they are!" Saint-Loup was ironical. "Between
you and me, I look on all that sort of thing as rather a joke. But they
have got at Guermantes, what is a little more interesting, and that is
quite a touching portrait of my aunt by Carrière. It's as fine as
Whistler or Velasquez," went on Saint-Loup, who in his neophyte zeal was
not always very exact about degrees of greatness. "There are also some
moving pictures by Gustave Moreau. My aunt is the niece of your friend
Mme. de Villeparisis; she was brought up by her, and married her cousin,
who was a nephew, too, of my aunt Villeparisis, the present Duc de
Guermantes."
"Then who is this uncle?"
Public-domain text, read in full here on John Shaqi.
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